Banner Portal
Reversing the archive or how humans started archiving dances from machines
PDF
PDF (Spanish)

Keywords

Dance Archive
Ecology
Robots
Screen Cultures

How to Cite

Reversing the archive or how humans started archiving dances from machines. Conceição/Conception, Campinas, SP, v. 13, n. 00, p. e024014, 2024. DOI: 10.20396/conce.v13i00.8678261. Disponível em: http://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8678261. Acesso em: 1 jun. 2025.

Abstract

The NPC (non-player character) movement invites users to embody machinic gestures, conceptualized as a “dispassionate disposition of the posthuman condition.” This study combines a bibliographic review on the body in technology and dance archives with an analysis of TikTok profiles showcasing NPC aesthetics. It situates the phenomenon within ecological and cultural contexts, exploring organic archives such as trees, reefs, ice caps, and humans refining machinic gestures as a form of embodied memory.

PDF
PDF (Spanish)

References

AUSLANDER, Philip. Liveness: Performance in a Mediatized Culture. London: Routledge, 1999.

BENCH, Harmony. Dancing in digital archives: circulation, pedagogy, performance. In: BLEEKER, Maikke (Ed.). Transmission in Motion. London: Routledge, p. 155-167, 2016.

CHANG, Alenda. Playing Nature: Ecology in Video Games. Minneapolis: University of Minnesota Press, 2019.

CHERNIAVSKY, Eva. Incorporations: Race, Nation, and the Body Politics of Capital. Minneapolis: University of Minnesota Press, 2006.

DERRIDA, Jacques. Archive Fever: A Freudian Impression. Chicago: University of Chicago Press, 1996.

FISCHER-LICHTE, Erika. The Transformative Power of Performance: A New Aesthetics. Translated by Saskya Iris Jain. London: Routledge, 2008.

HAYLES, Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.

HAYLES, Katherine. Good technology is biophilic. In: The Good Robot: Why Technology Needs Feminism. 2024. p. 28–35.

HOGAN, Mel. Data flows and water woes: the Utah Data Center. Big Data & Society, v. 2, n. 2, p. 1-12, 2015.

HU, Tung-Hui. A Prehistory of the Cloud. Cambridge: MIT Press, p. ix-xxv, 1-11, 2015.

JUE, Melody. The Anthropocene’s negative media. International Journal of Central University of Kerala, edited by Prasad Pannian, January 2016.

LECAVALIER, Jesse. The Rule of Logistics: Walmart and the Architecture of Fulfillment. Minneapolis: University of Minnesota Press, 2016. Available at: http://www.jstor.org/stable/10.5749/j.ctt1f2qr7p. Accessed on: 31 May 2024.

LEPECKI, André. The body as archive: will to re-enact and the afterlives of dances. Dance Research Journal, v. 42, n. 2, p. 28-48, Winter 2010.

MARKS, Laura U.; CLARK, Joseph; LIVINGSTON, Jason; OLEKSIJCZUK, Denise; HILDERBRAND, Lucas. Streaming media’s environmental impact. Media+Environment, v. 2, n. 1, 2020. DOI: https://doi.org/10.1525/001c.17242.

MCLUHAN, Marshall. Understanding Media: The Extensions of Man. New York: McGraw Hill, p. 41-47, 1964.

MORRA, Anne. Nuts and Bolts: Machine Made Man in Films from the Collection. MoMA. 2009-2010. Available at: https://www.moma.org/calendar/film/1008. Accessed on: 30 May 2024.

MUÑOZ, José Estéban. Gesture, ephemera, and queer feeling. In: DESMOND, Jane (Ed.). Dancing Desires: Choreographing Sexualities on and Off the Stage. Madison, WI: Wisconsin University Press, p. 423-442, 2001.

PARIKKA, Jussi. A Geology of Media. Chapter 4, “Dust and the Exhausted Life.” Cambridge: MIT Press, 2015.

PHELAN, Peggy. The ontology of performance: representation without reproduction. In: PHELAN, Peggy. Unmarked: The Politics of Performance. New York: Routledge, p. 146-166, 1993.

POVEDA YÁNEZ, Jorge; FEWER, Rory. From humans that move like machines to machines that move like humans: a multidisciplinary review of the state of the art in the digitization of the dancing body. Investigaciones en Danza y Movimiento (IDyM), v. 4, n. 8, 2023. Available at:

https://revistasojs.una.edu.ar/index.php/IDyM/article/view/191.

PRITCHARD, Helen; MAWDSLEY, Caroline. The Pigs of Today Are the Hams of Tomorrow. Plymouth: Plymouth Arts Centre, 2010.

ROYAL MUSEUM OF FINE ARTS OF BELGIUM. EUROPALIA. Tracks to modernity. Exhibition. Available at:

https://fine-arts-museum.be/en/exhibitions/europalia. Accessed on: 30 May 2024.

SAVIGLIANO, Martha. Tango & the Political Economy of Passion. Boulder: Westview Press, 1995.

SEYAMA, Jun'ichiro; NAGAYAMA, Ruth S. The Uncanny Valley: Effect of Realism on the Impression of Artificial Human Faces. Presence: Teleoperators and Virtual Environments, v. 16, n. 4, p. 337-351, 2007. DOI: https://doi.org/10.1162/pres.16.4.337.

SCHNEIDER, Rebecca. In the meantime: performance remains. In: SCHNEIDER, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, p. 87-110, 2011.

SHUKIN, Nicole. Animal Capital: Rendering Life in Biopolitical Times. Minneapolis: University of Minnesota Press, 2009. Available at: https://ebookcentral.proquest.com/lib/ucr/detail.action?docID=445629.

TAYLOR, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003.

THOMAS, Helen. The Body, Dance and Cultural Theory. London: Palgrave MacMillan, 2003.

WILLIAMS, Raymond. Culture and hegemony. In: WILLIAMS, Raymond. Marxism & Literature. Oxford: Oxford University Press, 1977.

WOODS, Clyde. Arrested Development: The Blues and Plantation Power in the Mississippi Delta. London: Verso Books, 1998.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2024 Conceição/Conception