Keywords
Archival practices
Performance training
How to Cite
Funding data
-
Fonds Wetenschappelijk Onderzoek
Grant numbers FWOOPR2021005601
Abstract
This paper investigates the integration of immersive technologies in an archive of performance practices, investigating how different modes of knowledge production can intersect to create a new spatial ecology. It examines how these intersections between artistic practices and scientific methods evoke enchantment, bridging traditional divides between organic and technical knowledge. This convergence creates new forms of knowledge, opening pathways for exploration in a hybrid space shaped by performativity and interaction.
References
BERGER, Hilary. Posthuman Dance: Body Heart and Haptic Intimacy in ORA. Culture Machine, [S. l.], v. 17, p. 1–15, 2019. Disponível em: https://culturemachine.net/vol-17-thermal-objects/posthuman-dance/.
BURNIER, Luís Otávio. A Arte De Ator: Da Técnica À Representação. [s.l.]: Editora da Unicamp, 2009.
CALVERT, Tom W.; BRUDERLIN, Armin; MAH, Sang; SCHIPHORST, Thecla; WELMAN, Christ. The Evolution of an Interface for Choreographers. Em: INTERCHI 93 - CONFERENCE ON HUMAN FACTORS IN COMPUTING SYSTEMS 1993, Amsterdam, Netherlands. Anais [...]. Amsterdam, Netherlands p. 115–122.
FERRACINI, Renato. O Treinamento Energético e Técnico do Ator. Revista do LUME, [S. l.], v. 1, n. 1, p. 94–113, 2012.
GADE, Rikke; MOESLUND, Thomas B. Thermal cameras and applications: a survey. Machine Vision and Applications, [S. l.], v. 25, p. 245–262, 2014. DOI: https://doi.org/10.1007/s00138-013-0570-5.
GIBSON, Ruth; MARTELLI. Capturing Stillness., 2013. Disponível em: https://gibsonmartelli.com/portfolio/capturing-stillness/. Acesso em: 21 nov. 2024. Realtime Virtual Environment with Oculus Rift.
GIBSON, Ruth; MARTELLI. Man A VR.,2015. Disponível em: https://gibsonmartelli.com/portfolio/man-a-vr/. Acesso em: 21 nov. 2024. Room scale Virtual Reality experience, mobile app, custom virtual reality viewer.
HAN, Byung-Chul. The Disappearance of Rituals. Cambridge, UK: Polity Press, 2020.
HAYWOOD ROLLING JR. Arts-Based Research Primer. New York: Peter Lang Publishing Inc., 2013.
JUUSELA, Mika. Interview with Mika Juusela. [s.l: s.n.]
KARREMAN, Laura. The motion capture imaginary: digital renderings of dance knowledge. Ghent, Belgium: Ghent University. Faculty of Arts and Philosophy, 2017. Disponível em: http://hdl.handle.net/1854/LU-8518400.
KENTRIDGE, William. William Kentridge: Breaking the Forms of Constructed Ignorances. 2021. Disponível em: https://kaunas2022.eu/en/2021/12/22/william-kentridge-breaking-the-forms-of-constructed-ignorances/. Acesso em: 08 dez. 2024
KNITTER, Daniel; SCHIER, Wolfram; SCHÜTT, Brigitta. The concept of social ecology as a means to integrate humanities and science in landscape archaeological research. [S. l.], 2021. DOI: 10.17171/3-74. Disponível em: https://www.edition-topoi.org/book/1603-spatial-environment. Acesso em: 29 out. 2024.
LATOUR, Bruno. We have never been modern. Cambridge, Massachussetts: Harvard University Press, 1993
LEPECKI, André. Exhausting dance: performance and the politics of movement. New York ; London: Routledge, 2006.
LOZANO-HEMMER. Thermal Drift. , 2022. Disponível em: https://www.lozano-hemmer.com/thermal_drift.php. Acesso em: 20 nov. 2024.
MANNING, Erin. The minor gesture. Durham: Duke University Press, 2016.
MAROUDA, Ioulia; LA SELVA, Adriana; MAES, Pieter-Jan. Entangling Designer, System and Participant: An Interdisciplinary Methodological Account for Reimagining Embodied Knowledge in VR. DOCUMENTA: journal for theater, [S. l.], v. 42, n. 1, forthcoming.
NAGEL RASMUSSEN, Iben. Interview with Iben Nagel Rasmussen. [s.l: s.n.]
NEIDERT, Neidert; BÅGANDER, Linnea; KARLSSON, Joachim E. Skinning/ True Mesh / 16:9 Full Time Texture. , 2017. Disponível em: https://www.stm169ftt.com/. Acesso em: 21 nov. 2024.Video Series, Performances, 360 VR Film.
SALTER, Chris. Entangled: Technology and the transformation of performance. [s.l.] : MIT Press, 2010.
SCHNUGG, Claudia. Creating ArtScience Collaboration Bringing Value to Organizations. [s.l.]: Palgrave Studies in Business, Arts and Humanities, 2019.
SENNETT, Richard. The craftsman. London: Penguin Books, 2009.
SOUM, Corinne. Decroux The Ungraspable: Or Different Categories Of Acting - Man Of Sport, Man In The Drawing Room, Mobile Statuary, Man Of Reverie. 2016. Disponível em: https://www.angefou.co.uk/published-work/decroux-the-ungraspable.html. Acesso em: 30 out. 2024.
SUTIL, Nicolás Salazar. Motion and representation: the language of human movement. Cambridge, Massachusetts: MIT Press, 2015.
VAN GENNEP, Arnold. The rites of passage. Chicago: The University of Chicago, 1960.
VINCS, Kim; MCCORMICK, John; MARDAMOOTOO, Pajani. Volumetric Interaction: a new approach to expanding embodiment in XR. Em: MOCO ’24: PROCEEDINGS OF THE 9TH INTERNATIONAL CONFERENCE ON MOVEMENT AND COMPUTING 2024, Utrecht, Netherlands. Anais [...]. Em: MOCO’24. Utrecht, Netherlands DOI: https://doi.org/10.1145/3658852.3659077.
XYGALATAS, Dimitris. Ritual: How Seemingly Senseless Acts Make Life Worth Living. New York, NY: Little, Brown Spark, 2022.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 Conceição/Conception