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Vol. 7 No. 1 (2018)

Published July 18, 2018
Metodologias, Sistemas Metodológicos e Técnicas

Editorial

Cassia Navas Alves de Castro
1-1
Editorial: Methodologies, methodological systems and techniques
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8652957

Thematic Articles

Débora Souto Allemand, Josiane Franken Corrêa, Carmen Hoffmann
2-16
2% for more or for less: the order of the [danced] factors does change the [improvised] product
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8650912
Daniela Gatti, Jefferson de Oliveira Souza
17-33
The play of the text in the creative process in dance: the act of reading and the act of creation in Vices and Virtue – Drama in Dance
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8648509
Gabriela Córdova Christófaro, Mariana de Lima e Muniz
34-48
Experimentation and diversity in knowledge processes in dance: Marilene Martins’s artistic pedagogical system
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8650976
Silvia Camara Soter da Silveira, Paola Secchin Braga
49-68
Artist in pedagogical situation: teaching in the practice of Lia Rodrigues
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8650934
Camila Oliveira, Christina Gontijo Fornaciari
69-91
A tecnologia como elemento transversal da cena
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8648610
Moacir Romanini Junior
92-101
Attempts to capture the sensitive nuances: the photoperformance and the face-to-face arts
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8648608
Robson Rosseto
102-121
The spectator-passerby: suspending moments in daily life
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8649220

Articles - Free Themes

Daniela Beny Polito Moraes
122-141
Ancestral Gestures: the passage between Candomblé and theatre
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8648538
Marcos Antônio Bessa-Oliveira
142-157
Border, biography – biogeographies – as a decolonial1 episteme for (trans)bordered bodies in scenic arts
PORTUGUÊS (Portuguese) PDF
DOI: https://doi.org/10.20396/conce.v7i1.8648471