Resumo
Este artigo aborda a documentação, a anotação, a análise, e a transmissão da dança através de mídias digitais. Esse é o caso dos projetos––Sinchronous Objects for One Flat Thing, reproduced (2009), Motion Bank (2010-2013), e o Choreographic Coding Lab––idealizados por William Forsythe e colaboradores. Eles reúnem equipes interdisciplinares, exploram a complexidade do conhecimento incorporado em coreografias, e elaboram uma nova forma de literatura de dança. Essa nova lógica de arquivos digitais de dança informam o conceito e a prática que eu desenvolvo com o corpo-arquivo.
Referências
BENJAMIN, W. Über den Begriff der Geschichte – 17ª. In: TIEDEMANN, R.; SCHWEPPENHÄUSER, H. (eds). Walter Benjamin Gesammelte Schriften, I. Frankfurt am Main: Suhrkamp, 1991a, p. 702-703. ISBN 3-518-09832-2
BENJAMIN, W. Ursprung des Deutschen Trauerspiel. In: TIEDEMANN, R.; SCHWEPPENHÄUSER, H. (ed.). Walter Benjamin Gesammelte Schriften, I. Frankfurt am Main: Suhrkamp, 1991b, p. 207-278. ISBN 3-518-09832-2
BENJAMIN, W. Walter Benjamin: Origem do drama barroco alemão. Tradução, apresentação e notas: Sergio Paulo Rouanet. São Paulo: Brasiliense, 1984.
BRANDSTETTER, G.; KLEIN, G. Bewegung in Übertragung. Methodische Überlegungen am Beispiel von Le Sacre du Printemps (Das Frühlingsopfer). In: BRANDSTETTER, G.; KLEIN, G. (ed.). Methoden der Tanzwissenschaft. Modellanalysen zu Pina Bauschs “Le Sacre du Printemps/Das Frühlingsopfer“. 2. ed. Bielefeld: transcript, 2015. p. 11-28. Print-ISBN 978-3-8376-2651-3
BRANDSTETTER, G. Dança como cena-grafia do saber. Tradução: Stephan Baumgärtel. Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 19, 2012, p. 101-111.
BRANDSTETTER, G. HOFMANN, F.; MAAR, K. (ed.). Notationen und Choreographisches Denken. Baden-Baden: Rombach Wissenschaft, 2009.
BRANDSTETTER, G. Dance as Culture of Knowledge. Body Memory and the Challenge of Theoretical Knowledge. In: GEHM, S.; HUSEMANN, P.; VON-WILCKE, K. (ed.). Knowledge in Motion. Perspectives of Artistic and Scientific Research in Dance. Bielefeld: transcript, 2007, p.37-48. ISBN 978-3-89942-809-4
BRETAS, A. Imagens Dialéticas: a trajetória de uma constelação. In: Fantasmagorias da Modernidade: Ensaios Benjaminianos. São Paulo: Editora Unifesp, 2017, p. 34.
BÜSCHER, B. Lost & Found. Performance und die Medien ihres Archivs. Berlim: Media, Archive, Performance, 2009. Disponível em: . Acesso em: 29 jan. 2024.
CALICO MINGLING. 1973. 10 minutos, filme em preto e branco filmado por Babette Mangolte e coreografia de Lucinda Childs. Disponível em: https://www.ubu.com/film/mangolte_calico.html. Acesso em: desde 2020 até hoje.
CHILDS, L. Notes: ‘64-74’. The Drama Review, Cambridge (MA), v. 19, n. 1, p. 33-36, Post-Modern Dance Issue, mar., 1975.
DELAHUNTA, S. Knowing: Dance’s trade literature. International Journal of Cultural Property, Cambridge, v. 29, n. 2, p. 157–169, 2022. doi:10.1017/S0940739122000157
DELAHUNTA, S. Motion Bank: a broad context for choreographic research. In: BLEEKER, M. (ed.). Transmission in Motion. The Technologizing of Dance. Theater and Performance Studies. New York/London: Routledge, 2017, p. 128-137. ISBN: 978-1-315-52417-7 (ebk)
DELAHUNTA, S. CRAMER, A. F.; JENETT, F. Franz Anton Cramer: A Conversation on Motion Bank, 2015. Disponível em: https://perfomap.de/map6/medien-und-verfahren-des-aufzeichnens/a-conversation-on-motion-bank/AConversationonMotionBank.pdf. Acesso em: 7 mai. 2024.
DELAHUNTA, S. Publishing Choreographic Ideas. In: Tanz & Archiv: Heft 5 Mobile Notate. Munchen: Epodium Verlag, 2014, p. 14-21.
DELAHUNTA, S. HENNERMANN, C. Motion Bank: starting points and aspirations. Frankfurt: Motion Bank/The Forsythe Company, 2013.
DELAHUNTA, S. GROVES, R.; SHAW, Z. N. Talking about scores: William Forsythe’s Vision for a New Form of Dance Literature. In: GEHM, S.; HUSEMANN, P.; VON-WILCKE, K. (ed.). Knowledge in Motion. Perspectives of Artistic and Scientific Research in Dance. Bielefeld: transcript, 2007, p. 91-100. ISBN 978-3-89942-809-4
DELAHUNTA, S. SHAW, Z. N. Choreographic Resources. Agents, Archives, Scores and Installations. Performance Research, Wales, v. 13, n. 1, p. 131-133, 2008. Disponível em: <https://doi.org/10.1080/13528160802465664>. Acesso em: fev. 2024.
DELAHUNTA, S. SHAW, Z. N. Constructing Memories. Creation of the choreographic resource. Performance Research, Wales, v. 11, n. 4, p. 53-62, 2006. Disponível em: <https://doi.org/10.1080/13528160701363408>. Acesso em: 1 set. 2024.
FORSTER, L. Towards an embodied abstraction: An historical perspective on Lucinda Child’s Calico Mingling. Arts, Basel, v. 9, n. 7, p. 2-17, 2021. Disponível em: https://doi.org/10.3390/arts10010007. Acesso em: desde 2022.
FORSYTHE, W. Choreographic Objects. In: William Forsythe and the Practice of Choreography. It Starts from Any Point. SPIER, S. (ed.). London/New York: Routledge, 2011, p. 90-92. ISBN: 978-0-203-83223-3 (ebk)
FORSYTHE, W. Interview with William Forsythe von Célestine Hennermann. In: Motion Bank: starting points & aspirations. Frankfurt am Main: Motion Bank/The Forsythe Company, 2013, p.12-15.
FORSYTHE, W. SHAW, Z. N. The Dance. In: Synchronous Objects for One Flat Thing, reproduced by William Forsythe. Ohio: The Ohio State University, 2009, p. 1. Disponível em:
<https://synchronousobjects.osu.edu>. Acesso em: 6 mai. 2024.
FORSYTHE, W. Choreographic Objects. William Forsythe. In: SPIER, S. (ed.). William Forsythe and the Practice of Choreography. It Starts from Any Point. Londres/Nova Iorque: Routledge, 2011, p. 90-92. ISBN: 978-0-203-83223-3
FORSYTHE, W. HAFFNER, N. Observing Motion. An Interview with William Forsythe. In: William Forsythe Improvisation Technologies: A Toll for the Analytical Dance Eye. Ostfildern: Hatje Cantz, 1999, p. 16-22.
FRANKO, M. Writing for the body: notation, reconstruction, and reinvention in dance. In: FRANKO, M.; NICIFERO, A. (ed.). Choreographing Discourses. A Mark Franko Reader. New York/London: Routledge, 2019, p. 13-28.
FRANKO, M. Writing for the Body: Notation, Reconstruction, and Reinvention in Dance. Common Knowledge, v. 17, n. 2, Spring, p. 321-334, 2011.
HAY, D. No Time to Fly. A solo dance score written by Deborah Hay. New York: Arquivos Motion Bank, 2010.
JESCHKE, C. Tanz Schriften Ihre Geschichte und Methode. Die Illustrierte Darstellung eines Phänomens von dem Anfang bis zur Gegenwart. Bad Reichenhall: Comes Verlag, 1983. ISBN 3-88820-001-6
KAHN, S.; KEIL, J.; MÜLLER, B.; BOCKHOLT, U.; FELLNER, W. D. Capturing of Contemporary Dance for Preservation and Presentation of Choreographies in Online Scores. Digital Heritage International Congress (Digital Heritage), Marseille, v. 1, 2013. doi: 10.1109/DigitalHeritage.2013.6743750
MACHADO, F. A. P. Imagem e consciência da história: pensamento figurativo em Walter Benjamin. Tradução: Milton Camargo Mota. São Paulo: Edições Loyola, 2013. ISBN 978-85-15-04062-9
ONLINE SCORES. Motion Bank. Disponível em: https://scores.motionbank.org/. Acesso em: desde 2021.
PALAZZI, M. The Objects. In: Synchronous Objects for One Flat Thing, reproduced by William Forsythe. Ohio: The Ohio State University, 2009, p. 4. Disponível em:
<https://synchronousobjects.osu.edu>. Acesso em: 6 mai. 2024.
POUILLAUDE, F.; SOLOMON, N. Scène and Contemporaneity. The Drama Review, v. 51, n. 2, p. 124-135, 2007. Disponível em: https://www.jstor.org/stable/4492764. Acesso em: 18 dez. 2023.
RAINER, Y. A Quasi Survey of some Minimalist Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A. In: Work 1961-73. Halifax: Press of the Nova Scotia College of Arte and Design, 1974, p. 63-95.
SHAW, Z. N. Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas. In: KLEIN, G.; NOETH, S. (ed.). Emerging Bodies. The Performance of Worldmaking in Dance and Choreography. Bielefeld: transcript, 2011, p. 207-221.ISBN 978-3-8394-1596-2
SHAW, Z. N. The Data. In: Synchronous Objects for One Flat Thing, reproduced by William Forsythe. Ohio: The Ohio State University, 2009, p. 2-3. Disponível em:
<https://synchronousobjects.osu.edu>. Acesso em: 6 mai. 2024.
SCHNEIDER, R. Performing Remains: Art and War in Times of Theatrical Reenactment. New York/London: Routledge, 2011.
SIEGMUND, G. (ed.). William Forsythe. Denken in Bewegung. Berlim: Henschel, 2004. ISBN 3-89487-472-4
THURNER, C. Leaving and Pursuing Traces. ‘Archive’ and ‘Archiving’ in a Dance Context. In: BRANDSTETTER, G.; KLEIN, G. (ed.). Dance [and] Theory. Bielefeld: trancript, 2013, p. 241-245. ISBN 978-3-8376-2151-8
VORTANZ. Projektbeschreibung: Vor-annotation. 2022. Disponível em: https://vortanz.ai/#/de#project-description. Acesso em: desde 2022.
WATERHOUSE, E. Processing Choreography. Thinking with William Forsythe’s Duo. Bielefeld: transcript, 2022. PDF-ISBN 978-3-8394-5588-3
WATERHOUSE, E. JENETT, F.; CONIGLIO, M.; HAGER, M. Understanding Duo. Mainz: Motion Bank, 2021. Disponível em: <https://duo.motionbank.org/#/motion-together/changes>. Acesso em: desde 2021 até hoje.

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 Conceição/Conception