Resumo
Piero Giordanetti's book is a vigorous effort to overturn this negative view. In addition, he proposes a reconstruction of Kant's musical aesthetics by delving into his unpublished remarks generally known as Reflexionen. He also places Kantian musical aesthetics in its historical-theoretical context, which leads him to discuss the influence that Leonhard Euler and Pietro Verri, for example, may have had on Kant.
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