Abstract
The present paper begins by attempting to show what predicate "beautiful" means when used in synthetic a priori judgements of taste regarding the objets of nature, and lays out how Kant justifies the claims conveyed by those judgments. It then examines the meaning and the claims of the judgments of taste regarding beauty in objets of art, and finishes by focusing attention on judgments of the beauty of musical compositions.
Desde 2022, todo o conteúdo publicado pela Kant e-Prints está sob a licença Creative Commons Atribuição 4.0 Internacional (CC BY 4.0).
Downloads
Download data is not yet available.
