@article{Portinari_2020, place={Campinas, SP}, title={Bidibidobidiboo: Details of deception and irruptions in Maurizio Cattelan’s inventions}, volume={4}, url={https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8662875}, DOI={10.24978/mod.v4i1.4524}, abstractNote={<p>Maurizio Cattelan’s poetics is filled with wrong and irreverent details. It can be a pigeon inside a room at Venice Biennale or a chasm in the floor of a museum, it is the inscription "Hollywood" in the wrong place, it is a strange door in an alley of Chelsea in New York, an ambiguous word in a sign or a stolen expression in an interview. Details of stories and interiors then become devices to activate interpretative practices, relational aesthetics and postproductions, to create misunderstandings because – as the artist claims – "truth is only the moment when you claim something like yours".</p>}, number={1}, journal={MODOS: Revista de História da Arte}, author={Portinari, Stefania}, year={2020}, month={abr.}, pages={09–18} }