Palavras-chave
Brian Molko
Arquivo de fãs
Como Citar
Dados de financiamento
Resumo
Este artigo investiga a persona de Brian Molko, vocalista da banda Placebo, criada no final dos anos 1990, em diálogo com abordagens contemporâneas de performance de persona. Por meio de arquivos de fãs e artigos de revistas musicais (1997-1999), analisa-se como Molko negociou uma "extraordinariedade ordinária", antecipando o fenômeno das "personas relutantes" na música pop atual. A pesquisa utiliza a teoria anedótica (Gallop, 2002) para explorar como mídias sociais, intensificam a relação entre teatralidade, performatividade e o engajamento com a performance do comum.
Referências
ÅLVIK, J. M. B. Armed with the faith of a child: Marit Larsen and strategies of faking. In: HAWKINS, S. The Routledge Companion to popular music and gender. London and New York: Routledge, 2017. p. 253-266.
AUSLANDER, P. Musical Personae. The Drama Review, v. 50, n. 1, 2006.
AUSLANDER, P. Performing Glamrock. Gender and theatricality in popular music. Michigan: The University of Michigan Press, 2009.
BAADE, C et al, Special Issue on Beyoncé. Popular Music and Society, vol. 40, n.1. 2019.
BAYM, N. K. Playing to the Crowd. Musicians, Audiences, and the Intimate Work of Connection. New York: New York University Press. 2018.
BEAUVALLET, J.D. Post coitum, animal mélancolique. Les Inrockuptibles, 14 October, 1998. Placebo Russia Archive. Disponível em <http://www.placeborussia.ru/press/press-1998-1999/lesinrockuptiblesoct98>. Acesso em jul 2021.
BEGLEY, S. Lady Gaga says her public persona is a separate entity from her true self’. Time, 8 Jun 2021. Disponível em <‘https://time.com/4361123/lady-gaga-stefani-germanotta-true-self/>. Acesso em dez 2021.
BLAIR, A. Marc Bolan, David Bowie, and the Counter-Hegemonic Persona: ‘Authenticity’, Ephemeral Identities, and the ‘Fantastical Other’. Medianz, vol. 15, n. 1. 2015. Disponível em <https://doi.org/10.11157/medianz-vol15iss1id126>.
BOYD, D; ELLISON, N. Social Network Sites: Definition, History, and Scholarship. Journal of Computer-Mediated Communication, vol. 13. p. 210-230. 2008.
CORNWELL, J. Swallow This! It’s Placebo. Rolling Stone, mai 1998. Placebo Russia Archive, Disponível em <http://www.placeborussia.ru/press/press-1998-1999/rsmay99>. Acesso em jul 2021.
CROSBY, E.D; LYNN, H. Authentic Artific: Dolly Parton’s Negotiations of Sontag’s Camp’, in Drushel E and Peters B. Sontag and the Camp Aesthetic, Lexington, New York. 2017. p. 47- 62.
CULBERT, S. The Blackstar: Persona, Narrative, and Late Style in the Mourning of David Bowie on Reddit Persona Studies, vol. 6, n.1, p. 43-55. 2020.
DE KOSNIK, A. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press. 2016.
FAIRCHILD, C; MARSHALL, P.D. Music and Persona: An Introduction. Persona Studies, vol. 5., n.1, p. 1-16. 2019.
FORTNAM, I. Salon Defectives. VOX, fev 1997. Placebo Russia Archive. Disponível em <https://www.placeborussia.ru/press/press95-97/voxfeb97>. Acesso em dez 2021.
FRITH, S. Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. 1996.
GALLOP, J. Anecdotal Theory. Durham: Duke University Press, N.C. 2002.
GAMSON, J. The Unwatched Life Is Not Worth Living: The Elevation of the Ordinary in Celebrity Culture. PMLA, vol. 126, n.4, p.1061-1069. 2011.
HANSEN, K.A. (Re)reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities. Twentieth-Century Music, vol. 16, n.4, p. 501-529. 2019.
HAWKINS, S. The British Pop Dandy. Masculinity, Popular Music and Culture. London and New York: Routledge. 2009.
HAWORTH, R. Stars as Intermedium? 2021. Disponível em <https://rahresearch.wordpress.com/2021/02/22/stars-as-intermediums/>. Acesso em jun 2021.
IDDON, M; MARSHALL, M. Lady Gaga and Popular Music. New York: Routledge. 2017.
JONES, D. 20 years after “Nancy Boy”: How Brian Molko Queered up the 90s’ Vice. 2017. Disponível em <https://www.vice.com/en/article/538xpq/brian-molko-placebo-queerness-90s-nancy-boy-20-years>. Acesso em out 2021.
KORNHABER, S. The Plot Against Persona. The Atlantic, 19 set 2019. Disponível em <https://www.theatlantic.com/entertainment/archive/2019/09/lana-del-rey-says-she-never-had-persona-really/597883/>. Acesso em ago 2021.
MACROSSAN, P. Intimacy, Authenticity and ‘Worlding’ in Beyoncé’s Star Project’ in S Loy, J Rickwood, & S Bennett (eds.). Popular Music, Stars and Stardom, Canberra, ANU Press. 2019. p. 137-152.
MARSHALL, P.D; MOORE, C; BARBOUR, K. Persona studies: an introduction. Hoboken, NJ: Wiley-Blackwell. 2020.
MOORE, A. Authenticity as Authentication. Popular Music, vol. 21, n. 2, p. 209-223. 2002.
MORTON, R. It’s Only Rock ‘n Roll in Reversal. VOX, jun 1997. Placebo Russia Archive, Disponível em < http://www.placeborussia.ru/press/press-1995-1997/voxjun97>. Acesso em jul 2021.
MORTON, R. Rocky Mountain Horror Show. NME, jan 1999. Placebo Russia Archive, Disponível em <http://www.placeborussia.ru/press/press-1998-1999/nmejan99>. Acesso em jul 2021.
OLDHAM, J. We Left A Trail Of Blood And Spunk All Over The Country. NME, jun 199. Placebo Russia Archive. Disponível em <http://www.placeborussia.ru/press/press-1998-1999/nmejun98>. Acesso em jul 2021.
PAAVOLAINEN, T. Theatricality and Performativity. In: Palgrave MacMillan, Cham.
Reinelt, J. The Politics of Discourse: Performativity Meets Theatricality, SubStance, vol. 31, n. 2/3, p. 201-215. 2018.
SEGAL, V. No more Charlie’s Angels. NME, Ago 1998. Placebo Russia Archive. Disponível em <http://www.placeborussia.ru/press/press-1998-1999/nmeaug98>. Acesso em jul 2021.
SHUKER, R. Understanding Popular Music. London: Routledge. 1994.
STRATTON, S. Placebo in Conversation with Sally Stratton. Interview, ago 1998. Placebo Russia Archive. Disponível em <http://www.placeborussia.ru/press/press-1998-1999/interviewaug98>. Acesso em jul 2021.
THORNTON, A. Placebo Brixton Academy, London, The Independent, maio 1997. Disponível em <https://www.independent.co.uk/arts-entertainment/placebo-brixton-academy-london-1264149.html>. Acesso em jul 2021.
USHER, B; FREMAUX, S. Turn Myself to Face Me: David Bowie in the 1990s and Discovery of Authentic Self’ in E Devereux. A Dillane & M Power (eds). David Bowie: Critical Perspectives, New York: Routledge. 2015. p. 56-81.
YATES, R. Out Come The Freaks, fev 1997. Placebo Russia Archive. Disponível em <http://www.placeborussia.ru/press/press-1995-1997/qfeb97>. Acesso em jul 2021.
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2024 Conceição/Conception