Banner Portal
A encenação de uma cena
PDF (English)

Palavras-chave

Testemunho
Encenação
Jogo de cena
The arbor

Como Citar

BRÁS, Patrícia Sequeira. A encenação de uma cena: política feminista em Jogo de cena e the arbor. Cadernos Pagu, Campinas, SP, n. 60, p. e206004, 2021. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/cadpagu/article/view/8664561. Acesso em: 14 dez. 2024.

Resumo

Neste artigo proponho analisar o uso do testemunho e da encenação em Jogo de Cena (Eduardo Coutinho, 2007) e The Arbor (Clio Barnard, 2010). Em ambos os filmes, a encenação produz duplicidade e distanciamento. No entanto, a forma como a encenação complica o uso do testemunho significa mais do que uma simples e equívoca diferença entre realidade e ficção. Nestes filmes, a encenação pressupõe uma cena de co-aparência.

PDF (English)

Referências

ARENDT, Hannah. The Human Condition. London/Chicago, University of Chicago Press, 1998.

BRECHT, Bertolt. A Shot Organum for the Theatre. Brecht on Theatre: The Development of an Aesthetic. In: WILLET, J. (ed & trans). New York, Hill & Wang, 1964, pp.179-206.

BRIZUELA, Natália. Conversation and Duration in Eduardo Coutinho‟s Films. Film Quarterly, vol. 69, n. 3, pp.19-27 [https://filmquarterly.org/2016/03/04/conversation-and-duration-ineduardo-coutinhos-films/ - accessed 18 May 2019]

CAVARERO, Adriana. Relating Narratives: Storytelling and Selfhood. New York, Routledge, 2000.

______. For More than One Voice Toward a Philosophy of Vocal Expression. Stanford, California, Stanford University Press, 2005.

DELEUZE, Gilles. Cinema 2: The Time-Image. Hugh Tomlinson & Robert Galeta (Trans.) London, The Athlone Press, 1989.

DOANE, Mary Ann. The Voice in the Cinema: The Articulation of Body and Space. Yale French Studies, n. 60, Cinema/Sound, 1980, pp.35 [https://doi.org/10.2307/2930003 – accessed 18 May 2019]

FARINATI, Lucia & Firth, Claudia. The Force of Listening. Berlin, Errant Bodies Press, 2017.

FELDMAN Marzochi, Ilana. Jogos de cena: ensaios sobre o documentário brasileiro contemporâneo. Ph.D Dissertation Estudos de Meios e da Produçã0 Mediática. Universidade de São Paulo, São Paulo, 2012 [https://www.teses.usp.br/teses/disponiveis/27/27153/tde22052013-110822/publico/lanaFeldmanMarzochi.pdf – accessed 18 May 2019].

GUIMARÃES, César. The scene and the Inscription of the Real. In: ANDERMANN, Jens and BRAVO, Álvaro Fernández (Ed.). New Argentine and Brazilian Cinema Reality Effects. New York, Palgrave Macmillan, 2013, pp.87-101.

JAMES, Nick. Clio, Andrea and Lorraine too. Sight and Sound, vol. 20, Issue 11, November 2010, pp.25-6.

JOHNSTON, Claire. Women‟s Cinema as Counter Cinema. In: THORNHAM, Sue (Ed.). Feminist Film Theory: A Reader. New York, New York University Press, 1999, pp.31-40.

JÚNIOR, Carlos Pernisa & CARVALHO, Helena Oliveira Teixeira de. Jogo de cena: um outro olhar sobre a entrevista no documentário. Doc On-line, n. 22, September 2017, pp.28-47. DOI: 10.20287/doc.d22.dt02

KAPLAN, E. Ann. The Realist Debate in the Feminist Film: a Historical View of Theories and Strategies in Realism and the Avant-Garde. In: Women & Film Both Sides of the Camera. London & New York, Routledge, 2000, pp.125-141.

KUHN, Annette. Women‟s Pictures: Feminism and Cinema. London, Routledge and Kegan Paul, 1982.

LESAGE, Julia. The Political Aesthetics of the Feminist Documentary Film. In: ERENS, Patricia (Ed.). Feminist Film Criticism. Bloomington and Indianapolis, Indiana University Press, 1999, pp.222- 237.

MARGULIES, Ivone. In Person: Reenactment in Postwar and Contemporary Cinema. New York, Oxford University Press, 2019.

MARTINEAU, Barbara Halpern. Talking about Our Lives and Experiences: Some Thoughts about Feminism, Documentary and “Talking Heads”. In: WAUGH, Thomas (Ed.). Show Us Life: Toward a History and Aesthetics of the Committed Documentary. Metuchen - NJ, Scarecrow, 1984, pp.252-273.

MICHEL, Sonya. Feminism, Film, and Public History. In: ERENS, Patricia (ed.). Issues in Feminist Film Criticism. Bloomington and Indianapolis, Indiana University Press, 1990, pp.238-250.

MELLO, Cecília. Art and Reality in The Arbor. Acta Univ. Spaientiae, Film and Media Studies, no. 12, 2016, pp.115-128. DOI: 10.1515/ausfm-2016-0006.

NEUMAN, Shirley. Autobiography and Questions of Gender. Portland, Frank Cass Publishers, 1991.

PAGE, Joanna. Beyond Reflexivity: Acting and Experience in Contemporary Argentine and Brazilian Cinema. In: ANDERMANN, Jens and BRAVO, Álvaro Fernández (Ed.). New Argentine and Brazilian Cinema Reality Effects. New York, Palgrave Macmillan, 2013, pp.73-85.

PEIRSE, Alison. Speaking for herself: Andrea Dunbar and Bradford on film. Journal for Cultural Research, 20 (1), 2016, pp.60-72. [https://doi/org/10.1080/14797585.2015.1134060 – accessed 18 May 2019]

POLAN, Dana B. Brecht and the politics of self-reflexive cinema. Jump Cut, n. 1, 1974 [https://www.ejumpcut.org/archive/onlinessays/JC17folder/BrechtPola n.html - accessed 15 May 2019].

RICH, B. Ruby. Chick Flicks: Theories and Memories of the Feminist Film Movement. Durham and London, Duke University Press, 1998.

SAYAD, Cecilia. Performing Authorship Self-inscription and Corporeality in the Cinema. London & New York, I.B. Taurus, 2013.

SMITH, Sidonie and Watson, Julia. Decolonizing the Subject: Politics of Gender in Women's Autobiography. Minneapolis, University of Minnesota Press, 1993.

WALDMAN, Diane and WALKER, Janet (Ed.). Feminism and Documentary, Minneapolis and London, University of Minnesota Press, 1999.

XAVIER, Ismail. Character Construction in Brazilian Documentary Films: Modern Cinema, Classical Narrative and Micro-Realism. In: NAGIB, Lúcia and MELLO, Cecília (Eds.). Realism and the Audiovisual Media. Basingstoke-Hampshire, Palgrave Macmilliam, 2009, pp.210-223.

XAVIER, Ismail. Inquires into Eduardo Coutinho and his Dialogue with Modern Tradition. Film Quarterly, vol. 69, n. 3, 2016, pp.35-43. [https://doi.org/10.1525/fq.2016.69.3.35]

XAVIER, Ismail. O Jogo de cena e as outras cenas. In: OHATA, Milton (ed.). Eduardo Coutinho. São Paulo, Edições Sesc, 2013, pp.604- 626.

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

Copyright (c) 2020 Cadernos Pagu

Downloads

Não há dados estatísticos.