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Neopythagoreanism in the work of Johannes Kepler
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Harmony. Analogy. Control instrument. Limit. Pythagoras

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CARDONA, Carlos Alberto. Neopythagoreanism in the work of Johannes Kepler. Manuscrito: Revista Internacional de Filosofia, Campinas, SP, v. 39, n. 3, p. 91–120, 2017. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/manuscrito/article/view/8647847. Acesso em: 15 abr. 2024.

Resumo

In this article I argue that the methodology in the Johannes Kepler´s work is guided by two principles of Pythagorean nature, they are: (i) sameness is made known by sameness, and (ii) harmony arises from establishing a limit to what is unlimited. By way of hypothesis, I present a general outline, which includes those principles, and I indicate how they are present in Kepler’s investigations. I examine two particular cases in the light of that schema.
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Referências

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