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This paper intends to discuss the ways Street Art has been promoting new affective inscriptions in the urban landscape of São Paulo city. This practice is verified through works promoting “sensible shocks”, which occur using signs that sensibilize the passerby’s look. The discussion starts addressing local cultural art movements in order to show how Brazilian Street Art is linked to other forms of politicization in the cities. Then, it is shown how the articulation of structures of feeling can be observed in the city in events involving disagreements between graffiti artistis and the municipal government. Finally, it is argued that the affective inscriptions reveal the social structures of the city and contribute to highlight imbalances between expectation and reality.
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