By an interval's subject theory in the experience with the dark screen

Abstract

In this article, the notion of interval subject is developed from the contemporary experiences with the mobile devices of access to the internet. The research is based on an image that circulated on Internet social networks during the protests of June 2013, in which relations are made especially with two other images from different historical periods, one of which is analyzed by Michel Foucault (1999) and another by Gilles Deleuze (2007), but each as an event that expresses new processes of subjectivation. The way how Foucault and Deleuze appropriated works of art to investigate the formation of new fields of visibility also allows the analysis of the emergence of another relation to the images in which the notion of the intervalar subject is developed.