João das Neves and the street theater of the Centro Popular de Cultura

Abstract

The article intends to focus in the Street Theater of the Popular Center of Culture, in an perspective that analyses that work in an João das Neves' point of view. In spite of many theories about the performance of the members of CPC, an exame of its praticals experiments exposes strongs facts of some theatral activities in publics places, laying emphasys on the participation of João das Neves.