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Tarsila or the anthropophagic vaccine
Capa de Gian Carlo Guadagnin.
PDF (Português (Brasil))

Keywords

Modernism
Feminist theater
Anthropophagy

How to Cite

DIAS, Viviane Costa; MARTINS, Ferdinando. Tarsila or the anthropophagic vaccine: feminist voice and anthropophagy in search of new images. Pitágoras 500, Campinas, SP, v. 12, n. 00, p. e022017, 2022. DOI: 10.20396/pita.v12i00.8671215. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/pit500/article/view/8671215. Acesso em: 17 jul. 2024.

Abstract

It is a theatrical text with a feminist voice, an ethical and aesthetic dialogue with Brazilian Modernism in the search for new images for the reinvention of a country. The text was staged in São Paulo in September and October 2022. It goes to Paris in November; And Lisbon, in December of the same year. Tarsila, a body-settlement of Brazilian Modernism, wakes up in the cosmos, in 2022. She needs to create a new image before being devoured by the voracity of the new Piaimã.

https://doi.org/10.20396/pita.v12i00.8671215
PDF (Português (Brasil))

References

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ANDRADE, Oswald. “Erro de português”. In: Obras completas, Volumes 6-7. Rio de Janeiro: Civilização Brasileira, 1972.

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LOBATO, Monteiro. “À propósito da exposição Malfatti”, Jornal O Estado de S. Paulo, 20 de dezembro de 1917.

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Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright (c) 2022 Viviane Costa Dias, Ferdinando Martins

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