Abstract
The threshold of the Millennium had been prodigal in praise of creativity as the key to a new model of economic, social and cultural development. The intellectual production in the emerging areas of Cultural Economics and Creative Economics thrived vigorously in the 1990s and 2000s in both the academic and the political-institutional fields, identifying creativity as a critical asset for the construction of a post-industrial society. This paper-review examines key contributions to this debate by identifying their institutional affiliation and unfolding their history, their proposals and pointing, from the reviewed works, relevant issues to the understanding of the paths of contemporary thought in Economics on the links between creativity, innovation and culture.References
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