Advances in the areas of technology, information theory, computational modeling and immersive multisensory displays in the last two decades, position the notion of body-as-archive in new perspectives, especially with regard to performative practices. The emergence of new motion capture technologies, interactive digital platforms, artificial intelligence, mixed and augmented realities has opened up possibilities for documenting and experiencing performative practices in novel ways. These developments not only offer fresh perspectives on the creative dimensions of the body but also revolutionize the processes of notation and recording. Further, it facilitates the development of processes and experiences that bring the body closer to dematerialized states, an embodied assemblage which includes intelligent systems and digital/virtual technologies.

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