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Abstract
This study seeks to reflect on the ways of capturing the poetic action of the actor-performer through photoperformance records. Used mainly in practices by artists from the visual arts, this type of material is a powerful device for comprehension of the creative act in the face-to-face arts. In this analysis, two poetic actions performed in the landscape during the practical immersion of a master’s research will be on focus, as a possibility of highlighting the specificity of this type of record.
References
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Conceição / Conception uses the Creative Commons (CC) license, thus preserving the integrity of articles in an open access environment. The journal allows the author to retain publication rights without restrictions.
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