Abstract
Collectives are a common element in today’s artistic environment. What ordinarily unites a group of people is a common or mutual interest, sometimes cooperative, and usually collaborative. Considering the extensive territory of contemporary dance, which for several years has become a meeting place for embracing and integrating many diversified areas - artistic or non, I wish to begin by recounting a quizzical observation, which may define the tone of this paper.References
CAVRELL, Holly Elizabeth. Dando Corpo à História. Curitiba: Prismas, 2015.
FOSTER, S. L. Corporealities: dancing knowledge, culture and power. London: Routledge, 1966.
HEWITT, A. Social Choreography: ideology as performance in dance and everyday movement. Durnham: Duke University Press, 2005.
SMELSER, Neil J. The Theory of Collective Behavior. New Orleans: Quid Pro, LLC, 2011.
Conceição / Conception uses the Creative Commons (CC) license, thus preserving the integrity of articles in an open access environment. The journal allows the author to retain publication rights without restrictions.
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