Abstract
This paper aims to approach the bodily-vocal action from a com-plex and multidisciplinary perspective, evidencing its meta-sys-temic spectrum. This study is part of the experimentation with the Vocal Dance, a work of performance practice systematized by the North American performer Patricia Bardi. These investi-gations have as a reference base the general notions of method, complexity and system in the philosophy of Edgar Morin.
References
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