Keywords
Stylist-artist
Alexander McQueen
How to Cite
Abstract
This article discusses the hybrid creation of British designer Alexander McQueen from his relational aspects with the theatre and performing arts. Starting from this expanded notion, we discuss how the social imaginary of risk is appropriate as a plastic material in the creation of some of his fashion-performances throughout the 1990s and 2000s.
References
ADORNO, Theodor. In Search of Wagner. Nova York: Verso, 1981.
ARNOLD, Rebecca. Heroin Chic. Fashion Theory, vol. 3 issue 3, 1999.
BECK, Ulrich. Risk Society: Towards a New Modernity. Londres: Sage, 1992.
BOLTON, Andrew. Alexander McQueen: Savage Beauty. Nova Iorque: Met Publications, 2011.
BUENO, Maria Lúcia. Por que ler…Frédéric Monneyron? Revista D’Obras, São Paulo, v.4, n. 10, 2010.
CALLAHAN, Muareen. Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen e os rebeldes dos anos 1990 que reinventaram a moda. Rio de Janeiro: Fábrica 231, 2015.
DUGGAN, Ginger Gregg. O maior espetáculo da Terra: os desfiles de moda contemporâneos e sua relação com a arte performática. Fashion Theory, São Paulo, v. 1, n.2, jun. 2002.
EVANS, Caroline. Fashion At The Edge: Spectacle, Modernity and Deathliness. New Haven: Yale University Press, 2012.
FIGUEREDO, Henrique Grimaldi. Por uma sociologia do excesso: a moda inglesa entre o narcótico e o necrotério. Anais do 15º Colóquio de Moda da ABEPEM, 2019.
FIGUEREDO, Henrique Grimaldi; ALMEIDA, Thamara Venâncio. Diálogos sociotécnicos e existências híbridas: a abordagem de Bruno Latour aplicada à performação na passarela de Alexander McQueen. CES Revista, v. 32, n. 2, 2018.
FIGUEREDO, Henrique Grimaldi. Entre padrões de estetização e tipologias econômicas: a economia estética na moda contemporânea a partir da passarela de Alexander McQueen (1992-2010). Dissertação de Mestrado. Universidade Federal de Juiz de Fora, 2018.
FOSTER, Hal. O retorno do real. São Paulo: Cosac Naify, 2013.
FOUCAULT, Michel. The archaeology of knowledge. New York: Pantheon Books, 1972.
FUSS, D. A moda e o olhar homoespectatorial. In: BENSTOCK, S.; FERRIS, S. Por dentro da moda. Rio de Janeiro: Rocco, 2002.
GIDDENS, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity Press, 1991.
GUERRA, Paula; FIGUEREDO, Henrique Grimaldi. Prosopografias clubbers em São Paulo e Londres: moda, estilo, estética e cenas musicais contemporâneas. Revista Tomo, n. 37, v. 1, 2020.
KRISTEVA, Julia. Powers of Horror: An Essay on Abjection. Nova Iorque: Columbia University Press, 1982.
MELIN, Regina. Performance nas artes visuais. Rio de Janeiro: Jorge Zahar, 2008.
MONNEYRON, Frédéric. La Frivolité Essentielle. Paris: Presses Universitaires de France, 2001.
MOWER, Sarah. Politics of Vanity. The Fashion n. 2, spring/summer, 2001.
PINK, Sarah. Doing Visual Ethnography. Thousand Oaks: Sage Publications, 2013.
SPOONER, C. A Gothic mind. In: WILCOX, C. Alexander McQueen. Nova York: Abrams, 2015.
THOMAS, Dana. Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano. Nova York: Penguin Books, 2015.
TOWNSEND, E. Memento Mori. In: WILCOX, C. Alexander McQueen. Nova York: Abrams, 2015.
TSEËLON, Efrat. The Masque of Femininity: The Presentation of Woman in Every-Day Life. Londres: Sage, 1995.
WALLESTEIN, Katharine. Thinness and Other Refusals in Contemporary Fashion Advertisements. Fashion Theory, vol. 2, issue 2, 1998.
WILCOX, C. Edward Scissorhands. In: WILCOX, C. Alexander McQueen. Nova York: Abrams, 2015.
ZIZEK, Slavoj. Grimaces of the Real. October nº 58, Cambridge, 1991.
ZOLBERG, Vera; CHERBO, Joni Maya. Outsider art: contesting boundaries in contemporary culture. Nova York: Cambridge University Press, 1997.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2020 Henrique Grimaldi Figueredo
Downloads
