Travesti fabulations about the end

Abstract

If the time heals, what is the time for healing? Is the end transitive or intransitive? What are the features of a temporized art curatorship? The text addresses, from the travesti worldview, the highly publicized speculative interjections in the pandemic of the new coronavirus of "end of the theater", “end of the gender”, "end of the human species" and "end of the world", trying to apprehend the economic-philosophical curatorial operability of the apocalypse and the curatorship of the end. It is intended to equate what is in the basement of these speeches, coming up the fabled way of transgenderities in the sense of disarming the end commercialization arrangements (Krenak, 2019) and social mourning market bargains (Žižek, 2012). It aims to understand the limits of the body, race, gender and scene beyond the dilemma of capital scarcity, with a view to widening the linear chronological dimensions of whiteness and cisgenerity. We note, therefore, that the spiraling craftsmanship of time (Martins, 2002), corresponds to the audacity of elaborating the inexorable unfinished existence and aesthetics. In this sense, travesti fabulations about the end bring to the studies of the future paradigmatic inscriptions of syncopated tempographs, not obsolescent in art and life.