Abstract
The aim of this article is to highlight types of relationships between humans and non-humans considering the scenic/musical process entitled DeBanda. To this end, we play with the verb to disband, based on etymological, denotative and popular imaginary paths. In a similar way, images act in the configuration of the network (LATOUR, 2012) which involves a borderline organic-machinery interaction between actants (LATOUR, 1998). Via tracks and remains, the flexibility of the puppet\puppeteer logic in the scenes is demonstrated
References
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