Editing, narrative, discourse: cinematographic strategies in the staging of cabras: cabeças que voam, cabeças que rolam

Abstract

In this article I analyze the staging of Cabras: cabeças que rolam, cabeças que voam... by Cia Teatro Balagan, directed by Maria Thais, in search of methodological procedures operated by the director, in the construction of the spectacular narrative, in which it is possible to make a relationship with the strategies used in the theory of film editing, in the formulation of filmic narrative, with respect to the achievement of a story or a theme and the resources of scene composition. As a campus of analysis, I use recordings of the play made during 2016, and as an operative concept I use the division of the forms of montage in cinema organized by Vincent Amiel. This article is part of the Master's research entitled "Expanded Montage", which had its dissertation defended in the year 2018, under the Graduate Program of the State University of Santa Catarina, whit the guidance of Prof. Dr. Edélcio Mostaço and funding from CAPES.