Vol. 9 No. 2 (2019): [17]: jul./dez: João das Neves: Cena, Ação, Sociedade.

Editorial

Larissa de Oliveira Neves

1-2

Editorial

https://doi.org/10.20396/pita.v9i2.8657513

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DOI: https://doi.org/10.20396/pita.v9i2.8657513

Apresentação

Carina Maria Guimarães Moreira, Natália Cristina Batista

3-10

Apresentação - João das Neves (1934 – 2018): cena, ação, sociedade

https://doi.org/10.20396/pita.v9i2.8657514

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DOI: https://doi.org/10.20396/pita.v9i2.8657514

Seção Temática

Roberta Carbone

11-26

João das Neves and the street theater of the Centro Popular de Cultura

https://doi.org/10.20396/pita.v9i2.8654553

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DOI: https://doi.org/10.20396/pita.v9i2.8654553

Carina Maria Guimarães Moreira

27-46

Madame Satan: a brazilian musical

https://doi.org/10.20396/pita.v9i2.8656034

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DOI: https://doi.org/10.20396/pita.v9i2.8656034

Natália Cristina Batista

47-64

Political and aesthetic dimensions of João das Neves' work: an analysis of the process of training non-professional actors in O Último Carro (1976-1978)

https://doi.org/10.20396/pita.v9i2.8656696

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DOI: https://doi.org/10.20396/pita.v9i2.8656696

Kátia Rodrigues Paranhos

65-79

João das Neves: politics, engagement and scenic creation in 1968

https://doi.org/10.20396/pita.v9i2.8656634

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DOI: https://doi.org/10.20396/pita.v9i2.8656634

José Francisco Guelfi Campos, Marta Eloísa Melgaço Neves, Verona Campos Segantini

80-97

"Joãos": João das Neves and his file

https://doi.org/10.20396/pita.v9i2.8654557

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DOI: https://doi.org/10.20396/pita.v9i2.8654557

Niuxa Dias Drago

98-115

João das Neves - set designer and craftsman: about Maria Lira's scenario

https://doi.org/10.20396/pita.v9i2.8654559

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DOI: https://doi.org/10.20396/pita.v9i2.8654559

Juliana Reis Monteiro dos Santos

116-134

Playing theater along the paths of João: the assembly of first stories in Campinas

https://doi.org/10.20396/pita.v9i2.8654538

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DOI: https://doi.org/10.20396/pita.v9i2.8654538

Luciana Mitkiewicz

135-152

The engaged art of João das Neves: the TXAI artist and his metaphors of the collectivity

https://doi.org/10.20396/pita.v9i2.8654865

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DOI: https://doi.org/10.20396/pita.v9i2.8654865

Suzi Frankl Sperber

153-169

João das Neves and the ethics of joy

https://doi.org/10.20396/pita.v9i2.8656035

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DOI: https://doi.org/10.20396/pita.v9i2.8656035

Mara Vanessa Dutra

170-178

Firefly Conversations: images of conviviality with the director poet

https://doi.org/10.20396/pita.v9i2.8654563

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DOI: https://doi.org/10.20396/pita.v9i2.8654563

Maria do Perpétuo Socorro Calixto Marques

179-195

Journey to the bottom of the river

https://doi.org/10.20396/pita.v9i2.8656033

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DOI: https://doi.org/10.20396/pita.v9i2.8656033

Seção Aberta

Adriano de Paula Rabelo

196-214

Speaking on stage as in the streets: the brazilian prosody at the Nelson Rodrigues theater

https://doi.org/10.20396/pita.v9i2.8655921

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DOI: https://doi.org/10.20396/pita.v9i2.8655921

Fábio Ramos Paz, André Luis Gomes

215-233

Renaissance and Gothic representations in modern tragedy: an analysis of The Tragic History of Doctor Fausto, by Christopher Marlowe

https://doi.org/10.20396/pita.v9i2.8654542

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/pita.v9i2.8654542