Instalação Inventário: Arte Outra – itinerário crítico. Sobre o gesto e a falsificação no trabalho de Gustavo von Ha

Ana Cândida Avelar

doi:10.24978/mod.v1i1.738

Vol. 1 No. 1 (2017), Exhibitions / Review

Vol. 1 No. 1 (2017)

Inventory: Art of Another Kind installation – critical itinerary. On gesture and falsification in Gustavo von Ha’s work

Exhibitions / Review

https://doi.org/10.24978/mod.v1i1.738

Published 2017-02-11

Ana Cândida Avelar⁺⁻

Ana Cândida Avelar

Universidade de Brasília

PDF (Português (Brasil))

Keywords

Gustavo von Ha
Abstract Expressionism
Falsification
Gesture
Informalism

How to Cite

AVELAR, Ana Cândida. Inventory: Art of Another Kind installation – critical itinerary. On gesture and falsification in Gustavo von Ha’s work. MODOS, Campinas, SP, v. 1, n. 1, p. 185–193, 2017. DOI: 10.24978/mod.v1i1.738. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8662252. Acesso em: 6 jul. 2024.

Abstract

The Inventory: Art of Another Kind exhibition brings as a motto the gesture seen as the emotional discharge of the artist, a common place associated with gestural painting. Von Ha discusses the imagery around the gesture today by presenting a series of works on canvas, objects and video that together make up a large facility.

https://doi.org/10.24978/mod.v1i1.738

PDF (Português (Brasil))

References

FRASER, Andrea. “O que é Crítica Institucional?”. Concinnitas, ano 15, volume 02, número 24, dez. 2014. Versão online.

GALARD, Jean. A beleza do gesto: uma estética das condutas. São Paulo: Edusp, 1997.

LEJA, Michael. Reframing Abstract Expressionism: subjectivity and painting in the 1940's. New Haven and London: Yale University Press, 1993.

“Robert Rauschenberg: Combines (1953-1964)”. Disponível no site: http://mediation.centrepompidou.fr/education/ressources/ENS-Rauschenberg-EN/ENS-rauschenberg-EN.htm. Acesso em 6 nov.2016.

WYNNE, Frank. Eu fui Vermeer: a lenda do falsário que enganou os nazistas. São Paulo: Companhia das Letras, 2008.

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