Abstract
The general idea of museum - and, in particular, of the narrative course within the museums - that we have today is, fundamentally, the one we received from the nineteenth century. As socially and bureaucratically institutionalized structures, the museums have a short history of little more than two centuries. But the gestation of this idea began in far more remote times and was considerably long: it was a gradual process of accumulation of patrimony and predisposition of itineraries or narratives within certain cultural and/or religious structures, which are one of the legacies of the modern museum. An inheritance of almost devotional character, but also – and above all – of a structure. At one point in history, an architectural form and a narrative structure emerge as a way of displaying art. Knowing this process is important, because it allows us to understand many mechanisms underlying the form and activities of museums even today.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2018 MODOS