Vol. 2 No. 1 (2018), Montage: the context of exhibitions

Vol. 2 No. 1 (2018)

What was never shown: Archived experiments

Montage: the context of exhibitions

https://doi.org/10.24978/mod.v2i1.1034

Published 2018-01-15

Luise Weiss⁺⁻

Luise Weiss

Universidade Estadual de Campinas

https://orcid.org/0000-0002-4966-7768

PDF (Português (Brasil))

Keywords

Esquecimento
memoria
experiência
fotografia.

How to Cite

WEISS, Luise. What was never shown: Archived experiments. MODOS, Campinas, SP, v. 2, n. 1, p. 246–258, 2018. DOI: 10.24978/mod.v2i1.1034. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8663343. Acesso em: 17 aug. 2024.

Abstract

The present essay addresses experiments performed with photographs, covering my doctoral period (1997) up to the present time. These experiments brought doubts, inquiries, and many of them were left in a cardboard box in the studio, forgotten. They were experiments material of varied times, family photographs, photographs of my own authorship. And what could these experiences reveal in the present moment?

https://doi.org/10.24978/mod.v2i1.1034

PDF (Português (Brasil))

References

ALLOA, E. (org.) Pensar a Imagem. Belo Horizonte: Ed. Autêntica, 2015.

ASSMANN, A. Espaços da Recordação. Campinas: Ed. Unicamp, 2016.

CAMARGO, I. Gaveta dos Guardados. São Paulo: Edusp, 1998.

DEWEY, J. Arte como Experiência. São Paulo: Martins Fontes, 2010.

RICOEUR, P. A Memória, a História, o Esquecimento. Campinas: Ed. Unicamp 2017.

TUAN, Y-F. Espaço e Lugar. A perspectiva da Experiência. Londrina: Eduel 2013.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2018 MODOS

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