The photography exhibition assembly as process: Spaces, artistic poetry and curatorship

Abstract

This paper presents the chains of subjective and objective reactions considered for the photographic exhibition Nago Silence (E o silêncio nagô calou em mim), which has been circulating since 2013 in Brazilian exhibition venues, like the Museu Nacional dos Correios in Brasília, the Centro Cultural Correios in Salvador, Bahia, and the Museu de Artes de Santa Catarina in Florianópolis. The assembly poetic process was imposed by the artistic research, also considering the determinations previously agreed upon in the project elaborated for the sponsorship. For that the curatorship, signed by Diógenes Moura, operates with different layers of meanings, derived from his own creative process, or in response to the conditions offered by that arts exhibition spaces.