Hiperorgânicos
Vol. 2 No. 1 (2018), Montage: the context of exhibitions
Vol. 2 No. 1 (2018)

Hiperorgânicos: From the White cube to the tesserato

Montage: the context of exhibitions
https://doi.org/10.24978/mod.v2i1.943
Published 2018-01-15
Carlos Augusto Moreira da Nóbrega
Universidade Federal do Rio de Janeiro
https://orcid.org/0000-0003-4631-2934
PDF (Português (Brasil))

Keywords

Hiperorgânicos
laboratório aberto
Transmediale
C-base.

How to Cite

NÓBREGA, Carlos Augusto Moreira da. Hiperorgânicos: From the White cube to the tesserato. MODOS, Campinas, SP, v. 2, n. 1, p. 170–180, 2018. DOI: 10.24978/mod.v2i1.943. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8663352. Acesso em: 17 jul. 2024.
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Abstract

The current article presents the motivation behind the creation of the event Hiperorgânicos, arguing for the necessity of thinking new dialogic and expositive modes for the exhibition of artworks under the idea of aesthetic organism.

https://doi.org/10.24978/mod.v2i1.943
PDF (Português (Brasil))

References

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