Modes of inhbiting
PDF (Português (Brasil))

Keywords

Place
Contemporary drawing
Installation art
Real space
Research in alternative sheets

How to Cite

FONSECA, Lúcia. Modes of inhbiting: a praxis of drawing in contemporary art. MODOS, Campinas, SP, v. 6, n. 2, p. 621–649, 2022. DOI: 10.20396/modos.v6i2.8669361. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8669361. Acesso em: 16 jul. 2024.

Abstract

The research MODES OF INHABITING: the praxis of drawing in contemporary art (2009/current) aims to investigate space/narrative/memory/creation process through drawing/painting/installation/notebooks and artist books. It prioritizes the study of drawing in the history of contemporary art, mainly focused on the artists' creation processes, concepts and poetics. This reasearch took part of a Group of Studies, named Exposition Strategies in Drawing in Contemporary Art (2014/2019). So far, four solo exhibitions and one group show have resulted from this research. For this article, I'll focus on two of the solo exhibitions held so far, the installations Habitar o Espaço (2011) and Habitar o(utro) Espaço (2012).

https://doi.org/10.20396/modos.v6i2.8669361
PDF (Português (Brasil))

References

FRANÇA, C. “Diante das Impurezas do Branco: um olhar para alguns desenhos de Lúcia Fonseca“. Texto da exposição Modos de Habitar. Campinas/SP, 2009.

FRANÇA, C. "Borracha, transparência e peso no espaço real: por um novo modo de habitar os desenhos de Lúcia Fonseca". Revista Estúdio. Artistas sobre outras obras. Lisboa: Faculdade de Belas Artes da Universidade de Lisboa, vol. 3, n. 5. 2012, p. 148-154.

FERREIRA, G. Escritos de artistas. Anos 60/70. Rio de Janeiro: Jorge Zahar, 2006.

MATISSE, H. Escritos e Reflexões Sobre Arte. São Paulo: Cosac & Naify, 2007.

NAVES, R. (Apres.). In: TASSINARI, A. O espaço moderno. São Paulo: Cosac & Naify, 2001.

O'DOHERTY, B. No Interior Do Cubo Branco. A Ideologia do espaco da arte. São Paulo: Martins Fontes, 2002.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2022 Lúcia Fonseca

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