Palavras-chave
Slovenia
Yugoslavia
Venice Biennale
IV Biennial São Paulo
kurent
fantastic art.
Como Citar
Resumo
The paper deals with the question of modernism in the post WW II period when the new political situation in Eastern Europe brought significant changes in art. The case of the Slovene painter France Mihelič (1907–1998) illustrates how important personal experience was in the transformation from realism to modernism as well as how crucial it was for a talented artist to be acquainted with contemporary trends in the main Western European art centres. After WW II, most Slovene artists travelled to Paris in order to advance creatively, yet France Mihelič’s stay in the French city (1950) stands out. Mihelič is an acknowledged representative of fantastic art who reached his artistic peak in the 1950s when he exhibited and received awards at key art events in Europe and South America.
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