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Abstract
Based on online information and in-site research, this paper reflects upon two groups of actions and works which configure two formats of discussion and production of contemporary art: Manifesta (a itinerant biennial event held in Europe since 1996) and Vila Sul (Goethe-Institute Salvador-Bahia residency program). In both cases, we present a brief contextualization of the temporary exhibition and artistic residency modalities, respectively. Then, as a diagnostic, we discuss the contributions of each edition of Manifesta in the configuration of a platform for debate, production and artistic promotion, and produce a balance of the first three years of Vila Sul program activities and its results. Finally, we point out the perspectives of the next announced editions of Manifesta in 2020 and 2022 and Vila Sul for 2020, highlighting the relevance of collaborative practices and the consequences of international exchanges nowadays.
References
FLECK, Robert. El sistema del arte em el siglo XXI. Museos, artistas, coleccionistas, galerias. 1ª ed. Trad. Mariana Dimópulos. Buenos Aires: Mardulce, 2014.
GREEN, C.; GARDNER, A. Biennials, Triennials and documenta – The Exhibitions That Created Contemporary Art. Chichester-Wets Sussex: Wiley Blackwell, 2016.
GROYS, Boris. Volverse público – Las transformaciones del arte en el ágora contemporânea. Trad. Paola Cortes Rocca. 1ª ed. Buenos Aires: Caja Negra, 2014.
SEPÚLVEDA, Jorge et al. Modelos de residência – Encuentro Internacional de Arte Contemporáneo. 1ª ed. bilíngue. Santa Maria de Punilla: Curatoria Forense, 2018.
V.V.A.A. Catálogos e referências eletrônicas da Manifesta e do Vila Sul.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2020 MODOS
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