A recurring occurrence
Vol. 5 No. 2 (2021), Dossier - A recurring occurrence: biennials and perennial exhibitions
Vol. 5 No. 2 (2021)

A recurring occurrence: biennials and perennial exhibitions of contemporary art

Dossier - A recurring occurrence: biennials and perennial exhibitions
https://doi.org/10.20396/modos.v5i2.8665717
Published 2021-10-15
Gabriel Ferreira Zacarias
State University of Campinas
https://orcid.org/0000-0002-0290-9678
Vinicius Spricigo
Federal University of São Paulo
https://orcid.org/0000-0003-3320-1805
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Keywords

Biennials
Documenta
Exhibitions history
Global turn

How to Cite

ZACARIAS, Gabriel Ferreira; SPRICIGO, Vinicius. A recurring occurrence: biennials and perennial exhibitions of contemporary art. MODOS, Campinas, SP, v. 5, n. 2, p. 119–131, 2021. DOI: 10.20396/modos.v5i2.8665717. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8665717. Acesso em: 28 jul. 2024.
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Abstract

The text presents the main historiographical and theoretical guidelines of the thematic issue, briefly introducing the addressed themes and its different approaches. It equally suggests a possible reading approach of the collected essays.  

https://doi.org/10.20396/modos.v5i2.8665717
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References

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CYPRIANO, F.; MARINS, M. Histórias das exposições: casos exemplares. São Paulo: EDUC, 2016.

ESCHE, C. A good place or a no place? In: WEISS, Rachel. Making Art Global (Part 1): The Third Havana Biennial. London, Afterall Books, 2013, p.08-13.

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MARCHART, O. The Globalization of Art and the ‘Biennials of Resistance’: A History of the Biennales from the Periphery., World Art 4, no. 2, 2014, p. 263–76. Disponível em: https://doi.org/10.1080/21500894.2014.961645. Acesso em: abril de 2021.

NIEMOJEWSKI, R. Venice or Havana: A Polemic on the Genesis of the Contemporary Biennial. In: FILIPOVIC, E.; VAN HAL, M., ØVSTEBØ, S. (Eds.). The Biennial Reader: Anthology of essays on the global phenomena of biennials.: Berlin: Hatje Cantz, 2010, pp.88-103.

SPRICIGO, V. Anthropophagisme et historiographie. Marges, revue d'art contemporain, v.23, dossier Globalismes, 2016, p.10-22.

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Copyright (c) 2021 Gabriel Ferreira Zacarias, Vinicius Spricigo

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