"Projeto Terra"
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Keywords

Art historiography
Ecology
Art biennials
Global art
Juraci Dórea

How to Cite

STEEDS, Lucy. "Projeto Terra": or revisiting the work of art in the age of ecological exposability?. MODOS, Campinas, SP, v. 7, n. 1, p. 193–215, 2023. DOI: 10.20396/modos.v7i1.8670568. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8670568. Acesso em: 17 aug. 2024.

Abstract

This essay presents thinking about art and ecology as learnt through study of work originating in the rural northeast of Brazil in the 1980s, which then featured in biennials at the end of that decade. While drawing on the writing of Walter Benjamin, Denise Ferreira da Silva, Carolyn Merchant and Anna Tsing, it centres the sculptural assemblages of Projeto Terra as situated in the Bahian sertão by Juraci Dórea. Reworking academic conventions, it experiments with art historiography and offers some emergent heuristics.

https://doi.org/10.20396/modos.v7i1.8670568
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References

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OSBORNE, P. Anywhere or Not At All: Philosophy of Contemporary Art. London: Verso, 2013.

STEEDS, L. Project Earth and Art’s Exposability. Afterimage, vol. 49, n. 3, September 2022.

TSING, Anna L. et al. (ed.). Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. Minneapolis, MN: University of Minnesota Press, 2017.

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Copyright (c) 2023 Lucy Steeds

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