The emptiness and the movement

Abstract

At the intersection between philosophy and the arts in general, a space of singular experimentation arises and from it arises a multiplicity of problems from which we will ask two questions: what moves a body? How to form a shape? We will refer to conditions and procedures involved in the production of bodies and emptiness by taking emptiness and then rhythm as a condition of movement. Both, linked together, will produce a breath that in turn binds all things together. We will try to see how the idea of ​​a "functional place" goes far beyond the sayable and the thinkable, constituting itself as a means of transport and capture of forces. The breath, emptiness and rhythm, as imperceptible powers, will contribute in our analysis to understand what a body is in becoming capable of a thousand metamorphoses.