Resumo
Este texto procura fazer um balanço das bienais existentes no Sudeste Asiático. Adotando uma perspetiva nacional, descreve a génese, a continuação (ou não) e o caráter programático de exposições bienais na região. O texto propõe que a ideia de exposição recorrente remonta aos anos 70 quando a ASEAN começou a promover eventos na região, na tentativa de criar unicidade através da cultura. À medida que este projeto perdeu vitalidade, foi substituído por bienais na região do Sudeste Asiático e também na região Ásia-Pacífico. De acordo com as razões por detrás da sua génese, as bienais que surgiram no Sudeste Asiático seguem o modelo global e outras seguem o modelo de bienal de resistência, mostrando variedade e independência regional face ao mundo global.
Referências
ART REVIEW. Power 100, December 3, 2020. Available from: https://artreview.com/power-100/. Accessed December 5, 2020.
BILBAO, A. E. From the Global to the Local (and Back): Curatorial Strategies in Biennials and Small Visual Arts Organisations. Third Text 33, n. 2 (2019): 179–94. Available from: https://doi.org/10.1080/09528822.2019.1603888. Accessed February 3, 2021.
BLUPRINT. PH at the Venice Biennale: A Comeback after 51 Years, May 8, 2018. Available from: https://bluprint.onemega.com/philippine-participation-venice-biennale/. Accessed January 30, 2021.
CURTIN, B. On Bangkok Biennales, January 12, 2021.
DITZIG, K. An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia 1, n. 1 (March 2017): 39–80. Available from: https://doi.org/doi:10.1353/sen.2017.0002. Accessed January 30, 2021.
ARTFORUM. Documenta 15 Faces Possible Postponement, January 13, 2021. Available from: https://www.artforum.com/news/documenta-15-faces-possible-postponement-84898. Accessed February 7, 2021.
ARTFORUM. Istanbul Biennial Announces Curators For 2021 Edition, December 10, 2020. Available from: https://www.artforum.com/news/istanbul-biennial-announces-curators-for-2021-edition-84621. Accessed February 7, 2021.
DON’T EVEN BRING WATER: Viva ExCon / Capiz 2018. Capiz: Viva ExCon, 2018.
FLORES, P. D. Past Peripheral: Curation in Southeast Asia. Singapore: NUS Museum, 2008.
FUKUOKA ASIAN ART MUSEUM. History of the Fukuoka Asian Art Museum, n.d. Available from: https://faam.city.fukuoka.lg.jp/en/about/history/#b. Accessed November 17, 2017.
GALLIGAN, G. On Thailand Biennales, January 24, 2021.
GARDNER, A.; GREEN, C. Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art. Chichester: Wiley Blackwell, 2016.
GAWEEWONG, G.; TIRAVANIJA, R. Saigon Is Not The Place To Hold The Biennale, Rather, The City Provides A Unique Opportunity To Bring Together The Ideas Of Contemporary Art And The Rich Culture Of One Of Asia’s Principle Cities. Biennale Foundation, May 6, 2007. Available from: https://www.biennialfoundation.org/2007/05/saigon-is-not-the-place-to-hold-the-biennale-rather-the-city-provides-a-unique-opportunity-to-bring-together-the-ideas-of-contemporary-art-and-the-rich-culture-of-one-of-asias-principle-cit/. Accessed January 30, 2021.
HAUPT, G. (eds). Z.O.U. - Zone of Urgency. In: Universes in Universe - Worlds of Art. Berlin. Available from: http://universes-in-universe.org/eng/. Accessed June 17, 2015.
FRIEZE. Indonesian Artist Collective Ruangrupa to Curate Documenta’s 15th Edition, February 12, 2019. Available from: https://www.frieze.com/article/indonesian-artist-collective-ruangrupa-curate-documentas-15th-edition. AccessedJuly 2, 2020.
JONES, C. A. Biennale Culture: A Longer History. In: The Biennale Reader. Berlin: Hatje Cantz, 2010, p. 66–87.
KURODA, R. Exhibiting Art Shows for Asians, by Asians, and Some Associated Problems. INIVA Symposium: A New Internationalism, London, 1994.
MY CREATIVE. KL Biennale 2017, n.d. Available from: http://www.mycreative.com.my/news_events/kl-biennale-2017. Accessed January 2, 2021.
MARCHART, O. The Globalization of Art and the ‘Biennials of Resistance’: A History of the Biennales from the Periphery. World Art 4, n. 2 (2014): 263–76. Available from: https://doi.org/10.1080/21500894.2014.961645. Accessed February 4, 2021.
PAZZINI-PARACCIANI, L. Southeast Asian Biennales, January 6, 2021.
PIYADASA, R. Malaysia. In: Asian Artists Exhibition Part II: The Contemporary Asian Art Show, 20–21. Fukuoka: Fukuoka Art Museum, 1980.
RATH, A. K. Contextualizing ‘Contemporary Art’: Propositions of Critical Artistic Practice in Seni Rupa Kontemporer in Indonesia. PhD thesis, Cornell University, 2011.
SABAPATHY, T. K. Writing the Modern: Selected Texts on Art and History in Singapore, Malaysia & Southeast Asia 1973-2015. MASHADI, A.; LINGHAM, S.; SCHOPPERT, P.; TOH, J. (eds.). Singapore: Singapore Art Museum, 2018.
SAMBOH, G. Biennale Jogja Time after Time. BIENNALE JOGJA EQUATOR, n.d. Available from: http://biennalejogja.org/2017/biennale-jogja-xiv-equator-4/?lang=en#sejarahbiennale. Accessed January 2, 2021.
SOON, S. Maps of the Sea. SEARCH: Southeast Asian Art Resource Chanel. Available from: http://search-art.asia/attachments/files/MAPoftheSEA.pdf. Accessed April 10, 2013.
SUPANGKAT, J. Art and Politics in Indonesia. In Art and Social Change: Contemporary Art in Asia and the Pacific, Canberra: Pandanus Books, 2005, p. 218–128.
TEH, D. Regionality and Contemporaneity. World Art 10, n. 2–3 (2020): 351–70. Available from: https://doi.org/10.1080/21500894.2020.1802331. Accessed February 3, 2021.
BIENNALE FOUNDATION. The 1st Kuala Lumpur Biennale To Open In November, August 2017. Available from https://www.biennialfoundation.org/2017/08/the-1st-kuala-lumpur-biennale-to-open-in-november/. Accessed January 2, 2021.
TURNER, C. Asia-Pacific Triennial. Interview by Leonor Veiga, July 5, 2017.
Visayas Islands Visual Arts Exhibition and Conference. Black Mail 3, n. February, 1990.
VIGÉSIMA TERCEIRA BIENAL DE SÃO PAULO. São Paulo, 1996.
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2021 Leonor Veiga