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Audiodescrição do gênero terror
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Palavras-chave

Áudio descrição
Cinema
Entrevistas
Terror

Como Citar

STEFANINI, M. W.; MATAMALA, A. Audiodescrição do gênero terror: “causando medo no espectador”. Trabalhos em Linguística Aplicada, Campinas, SP, v. 62, n. 2, p. 274–288, 2023. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/tla/article/view/8674210. Acesso em: 23 fev. 2024.

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Resumo

Muitas pesquisas sobre audiodescrição (AD) têm sido desenvolvidas no âmbito dos Estudos da Tradução (FRYER, 2016; ORERO & MATAMALA, 2016), entretanto, há poucas referências bibliográficas no que concerne à AD do gênero terror (MICHALEWICZ, 2015). Com vistas a promover uma discussão acerca da tradução de características particulares do gênero terror, foram feitas entrevistas com oito audiodescritores a respeito de sua experiência com AD de terror. Adotou-se como metodologia a análise temática, de modo que nove temas foram selecionados com base em bibliografia sobre horror no cinema (CHERRY, 2009) e nas respostas dos entrevistados para nortearem nossa reflexão: sobre o assunto: 1) Gênero; 2) Efeito; 3) Linguagem; 4) Linguagem Cinematográfica; 5) Conteúdo; 6) Trilha Sonora; 7) Silêncio; 8) Voz; e 9) Prosódia. Os dados indicam que os entrevistados consideram que o gênero do produto audiovisual influencia o trabalho do audiodescritor. 

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Referências

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Filmography

Cat People (1942), Jacques Tourneur. United States: RKO Radio Pictures.

Dracula (1931), Tod Browning. United States: Universal Pictures.

Dracula (1958), Terence Fisher. United Kingdom: Hammer Films Productions.

Dr. Jekyll and Mr. Hyde (1908), Otis Turner. United States: Selig Polyscope Company.

Frankenstein (1931), James Whale. United States: Universal Pictures.

Halloween (1978), John Carpenter. United States: Compass International Pictures.

I Walked With a Zombie (1943), Jacques Tourneur. United States: RKO Radio Pictures.

Nosferatu (1922), Friedrich Wilhelm Murnau. Germany: Jofa-Atelier Berlin-Johannisthal Prana-Film GmbH.

Psycho (1960), Alfred Hitchcock. United States: Shamley Productions.

Rosemary’s baby (1968), Roman Polanski. United States: William Castle Enterprises.

The Cabinet of Dr. Caligari (1920), Robert Wiene. Germany: Decla-Film.

The Curse of Frankenstein (1957), Terence Fisher. United Kingdom: Hammer Films Productions.

The Devil (1908), D. W. Griffith. United States: Biograph Company.

The Exorcist (1973), William Friedkin. United States: Hoya Productions.

The Leopard Man (1943), Jacques Tourneur. United States: RKO Radio Pictures.

The Seventh Victim (1943), Mark Robson. United States: RKO Radio Pictures.

The Texas Chainsaw Massacre (1974), Tobe Hooper. United States: Vortex.

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Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

Copyright (c) 2023 Marcella Wiffler Stefanini, Anna Matamala

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