MODOS

Current Issue

Vol. 8 No. 2 (2024)

Published May 31, 2024

Scope: Created by Research Group MODOS – Art History: modes of seeing, exhibiting and understanding, MODOS Art Journal aims to publish texts that discuss artistic, critical and historiographical work focused on the visual arts in its various dimensions, highlighting the exhibition venues, circulation, collections and narratives that establish how we view, interpret and promote art and the art object. MODOS Art Journal brings together researchers from six Brazilian public universities (UNICAMP, UFRJ, UnB, UFBA, UERJ and UFRGS), engaged in their respective graduate programs. It will accept articles (in portuguese, spanish and english), interviews and reviews, as well as texts for thematic dossiers, organized by researchers invited by the Editorial Board or by the Editors.
Qualis: A2
Hnowledge area: Arts
Founded since: 2017
ISSN: 2526-2963
Short title: MODOS: Hist. Arte
E-mail:
Unit: IA
Editor: Maria de Fátima Morethy Couto
DOI Prefix: 10.24978

Editorial

1-21

Art histories and indigenous visualities

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8677172

Articles - Collaborations

Gustavo Racy

22-62

Brazil seen by the Portuguese: Representations of the Brazilian people and lands in the 16th century

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8674929

Adryan Fabrizio Pineda Repizo

64-104

Appropriation or cannibalism? a look at an old question at the crossroads between art and subjectivity

PDF (Español (España))

DOI: https://doi.org/10.20396/modos.v8i2.8674744

Francisco das Chagas Fernandes Santiago Júnior

106-143

The unhappiness was Panofsky: Notes on the Georges Didi-Huberman’s History of Art Historiography as agon

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8673026

Júlio F. R. Costa

145-168

NFT Art, an auratic framework

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675802

Fernanda Mendonça Pitta

170-217

Increasing the nascent Brazilian school: Almeida Júnior's exhibition in 1882, the acquisition of his works by the Imperial government and the question of national art

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675926

Ana Carolina Albuquerque de Moraes

219-258

Beings in metamorphosis: dreams, by Claudia Andujar, and Amerindian perspectivism

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675612

Dossier - Curatorial processes and exhibitions of indigenous arts in/of Latin America

Ilana Seltzer Goldstein, Arissana Braz Bonfim de Souza, Aristoteles Barcelos Neto

260-292

Curatorial processes and exhibitions of indigenous arts in/of Latin America

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8676991

Glicéria Jesus da Silva

294-333

The flight of the Cloak and the Landing of the Cloak: A Journey through Tupinambá Memory

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675041

Lucia Hussak van Velthem

335-358

Dazzlements and reversals: indigenous arts and exibitions

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8674949

Tatiana Lotierzo

360-401

Drawing and its times: Abel Rodríguez’s Iimitya

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8674890

Johannes Neurath

403-442

A Plurinational Museum of Anthropology? on the recent project to update the National Museum of Anthropology in Mexico

PDF (Español (España))

DOI: https://doi.org/10.20396/modos.v8i2.8674891

Paula Berbert

444-477

Moquém_Surarî: an exhibition of contemporary indigenous art at the Museum of Modern Art of São Paulo

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675211

Lucia Gouvêa Pimentel, Tales Bedeschi Faria, Vanginei Leite da Silva

479-517

The dream of the axe: Xakriabá traditional pottery and the art gallery

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675006

Florêncio Rekayg Fernandes, Josiéli Spenassatto

519-559

Indigenous Voices, Collections and Architecture: notes on a Collaborative Project

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8674956

Laura Burocco

561-599

Collective learning processes within institutional art spaces. The exhibitions Nhe’ Porã: memória e transformação by Daiara Tukano and Escola Panapaná by Denilson Baniwa

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675004

Lucas Icó

601-632

Maraka’nà Ra Pé: space-device and the drift of meaning

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675005

Marcia Arcuri

634-662

Among images, objects, worlds and experiences: the Amerindian arts’ discursive networks

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675013

Felipe Milanez, Arissana Pataxó, Yacuna Tuxá, Ziel Karapotó, Juliana Alves Xukuru, Lucia Sá, Pedro Mandagará, Olinda Tupinambá, Graciela Guarani, Glicéria Tupinambá, Gustavo Caboco, Sérgio Kuhamatí Tuxá

664-704

Collective making as a curatorial method: indigenous art, re-occupations and disputes against the colonial imaginary

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8674997

Gerciane Maria da Costa Oliveira

706-726

Chico da Silva, the pioneer of indigenous art? the dynamics of reclassification of the artist from Acre in recent exhibitions

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675001

Sandra Benites, Anita Ekman, Fernanda Ribeiro Amaro

728-737

The History of Art as the History of Florests. Reflections on women protagonism from the Ka'a Body exhibition : cosmovisions of the forest

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v8i2.8675009

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