Vol. 1 No. 2 (2017)

Vol. 1 No. 2 (2017)

Published April 30, 2017

Editorial

01-08
MODOS. Revista de História da Arte
https://doi.org/10.24978/mod.v1i2.775
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.775

Articles - Collaborations

Jorge Coli
09-21
Polarities and anachronisms in Warburg’s thinking
https://doi.org/10.24978/mod.v1i2.755
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.755
Anna Maria Guasch
22-28
Art and globalisation: the beginnings: Third Text versus Art in America
https://doi.org/10.24978/mod.v1i2.756
PDF
DOI: https://doi.org/10.24978/mod.v1i2.756
Maria Bernardete Ramos Flores
29-46
The Voice of Silence in the art of Edward Hopper: The Voice of SileOr the disenchanted modernity
https://doi.org/10.24978/mod.v1i2.757
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.757
Dária Jaremtchuk
47-57
Art, politics and geopolitics in the 1960s
https://doi.org/10.24978/mod.v1i2.758
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.758
Roberto Carvalho de Magalhães
58-85
Museums in the Americas: History, structure and strategies
https://doi.org/10.24978/mod.v1i2.759
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.759

Possible Genealogies: archive, exhibition and circulation

Michael Asbury
88-97
Historiographies of the Contemporary
https://doi.org/10.24978/mod.v1i2.760
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.760
Luiz Cláudio da Costa
98-112
The multiple grid of montage: Perspectives for the critical image in the contemporaneity
https://doi.org/10.24978/mod.v1i2.761
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.761
Mauricius Martins Farina
113-123
The archives of art in the pathosformeln of the networks and in the ruins of the collective
https://doi.org/10.24978/mod.v1i2.762
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.762
Marize Malta
124-144
The art of exposing chairs: Ways to exhibit them, use them and to look at works of art
https://doi.org/10.24978/mod.v1i2.763
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.763
Vera Pugliese
145-168
Lina Bo Bardi’ expography as table of montage: Transparences, opacities and genealogies
https://doi.org/10.24978/mod.v1i2.747
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.747

Exhibitions / Review

Mariana Estellita Lins Silva
170-174
What is a museum object without the narratives that surroud it? Folklore Museum: The exhibition
https://doi.org/10.24978/mod.v1i2.764
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v1i2.764