Vol. 8 No. 2 (2024)

Published May 31, 2024

Editorial

1-21

Art histories and indigenous visualities

https://doi.org/10.20396/modos.v8i2.8677172

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DOI: https://doi.org/10.20396/modos.v8i2.8677172

Articles - Collaborations

Gustavo Racy

22-62

Brazil seen by the Portuguese: Representations of the Brazilian people and lands in the 16th century

https://doi.org/10.20396/modos.v8i2.8674929

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DOI: https://doi.org/10.20396/modos.v8i2.8674929

Adryan Fabrizio Pineda Repizo

64-104

Appropriation or cannibalism? a look at an old question at the crossroads between art and subjectivity

https://doi.org/10.20396/modos.v8i2.8674744

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DOI: https://doi.org/10.20396/modos.v8i2.8674744

Francisco das Chagas Fernandes Santiago Júnior

106-143

The unhappiness was Panofsky: Notes on the Georges Didi-Huberman’s History of Art Historiography as agon

https://doi.org/10.20396/modos.v8i2.8673026

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DOI: https://doi.org/10.20396/modos.v8i2.8673026

Júlio F. R. Costa

145-168

NFT Art, an auratic framework

https://doi.org/10.20396/modos.v8i2.8675802

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DOI: https://doi.org/10.20396/modos.v8i2.8675802

Fernanda Mendonça Pitta

170-217

Increasing the nascent Brazilian school: Almeida Júnior's exhibition in 1882, the acquisition of his works by the Imperial government and the question of national art

https://doi.org/10.20396/modos.v8i2.8675926

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DOI: https://doi.org/10.20396/modos.v8i2.8675926

Ana Carolina Albuquerque de Moraes

219-258

Beings in metamorphosis: dreams, by Claudia Andujar, and Amerindian perspectivism

https://doi.org/10.20396/modos.v8i2.8675612

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DOI: https://doi.org/10.20396/modos.v8i2.8675612

Dossier - Curatorial processes and exhibitions of indigenous arts in/of Latin America

Ilana Seltzer Goldstein, Arissana Braz Bonfim de Souza, Aristoteles Barcelos Neto

260-292

Curatorial processes and exhibitions of indigenous arts in/of Latin America

https://doi.org/10.20396/modos.v8i2.8676991

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DOI: https://doi.org/10.20396/modos.v8i2.8676991

Glicéria Jesus da Silva

294-333

The flight of the Cloak and the Landing of the Cloak: A Journey through Tupinambá Memory

https://doi.org/10.20396/modos.v8i2.8675041

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DOI: https://doi.org/10.20396/modos.v8i2.8675041

Lucia Hussak van Velthem

335-358

Dazzlements and reversals: indigenous arts and exibitions

https://doi.org/10.20396/modos.v8i2.8674949

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DOI: https://doi.org/10.20396/modos.v8i2.8674949

Tatiana Lotierzo

360-401

Drawing and its times: Abel Rodríguez’s Iimitya

https://doi.org/10.20396/modos.v8i2.8674890

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DOI: https://doi.org/10.20396/modos.v8i2.8674890

Johannes Neurath

403-442

A Plurinational Museum of Anthropology? on the recent project to update the National Museum of Anthropology in Mexico

https://doi.org/10.20396/modos.v8i2.8674891

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DOI: https://doi.org/10.20396/modos.v8i2.8674891

Paula Berbert

444-477

Moquém_Surarî: an exhibition of contemporary indigenous art at the Museum of Modern Art of São Paulo

https://doi.org/10.20396/modos.v8i2.8675211

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DOI: https://doi.org/10.20396/modos.v8i2.8675211

Lucia Gouvêa Pimentel, Tales Bedeschi Faria, Vanginei Leite da Silva

479-517

The dream of the axe: Xakriabá traditional pottery and the art gallery

https://doi.org/10.20396/modos.v8i2.8675006

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DOI: https://doi.org/10.20396/modos.v8i2.8675006

Florêncio Rekayg Fernandes, Josiéli Spenassatto

519-559

Indigenous Voices, Collections and Architecture: notes on a Collaborative Project

https://doi.org/10.20396/modos.v8i2.8674956

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DOI: https://doi.org/10.20396/modos.v8i2.8674956

Laura Burocco

561-599

Collective learning processes within institutional art spaces. The exhibitions Nhe’ Porã: memória e transformação by Daiara Tukano and Escola Panapaná by Denilson Baniwa

https://doi.org/10.20396/modos.v8i2.8675004

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DOI: https://doi.org/10.20396/modos.v8i2.8675004

Lucas Icó

601-632

Maraka’nà Ra Pé: space-device and the drift of meaning

https://doi.org/10.20396/modos.v8i2.8675005

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DOI: https://doi.org/10.20396/modos.v8i2.8675005

Marcia Arcuri

634-662

Among images, objects, worlds and experiences: the Amerindian arts’ discursive networks

https://doi.org/10.20396/modos.v8i2.8675013

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DOI: https://doi.org/10.20396/modos.v8i2.8675013

Felipe Milanez, Arissana Pataxó, Yacuna Tuxá, Ziel Karapotó, Juliana Alves Xukuru, Lucia Sá, Pedro Mandagará, Olinda Tupinambá, Graciela Guarani, Glicéria Tupinambá, Gustavo Caboco, Sérgio Kuhamatí Tuxá

664-704

Collective making as a curatorial method: indigenous art, re-occupations and disputes against the colonial imaginary

https://doi.org/10.20396/modos.v8i2.8674997

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DOI: https://doi.org/10.20396/modos.v8i2.8674997

Gerciane Maria da Costa Oliveira

706-726

Chico da Silva, the pioneer of indigenous art? the dynamics of reclassification of the artist from Acre in recent exhibitions

https://doi.org/10.20396/modos.v8i2.8675001

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DOI: https://doi.org/10.20396/modos.v8i2.8675001

Sandra Benites, Anita Ekman, Fernanda Ribeiro Amaro

728-737

The History of Art as the History of Florests. Reflections on women protagonism from the Ka'a Body exhibition : cosmovisions of the forest

https://doi.org/10.20396/modos.v8i2.8675009

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DOI: https://doi.org/10.20396/modos.v8i2.8675009