Vol. 2 No. 3 (2018)

Editorial

01-08
MODOS. Revista de História da Arte
https://doi.org/10.24978/mod.v2i3.2685
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2685

Articles - Collaborations

Renata Dias Ferraretto Moura Rocco
09-25
Cultural agent, advertising agent and artist: The controversial presence of Italian Danilo Di Prete at the São Paulo’s Biennial
https://doi.org/10.24978/mod.v2i3.2026
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2026
Milan Puh, André Pitol
27-48
A modern addendum: The Yugoslavian representation at the São Paulo Biennials (1953-1961)
https://doi.org/10.24978/mod.v2i3.1303
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1303
Alexandre Pedro de Medeiros
51-65
The limits of the global pop and its exhibitions: A Brazilian critique to the expanded pop
https://doi.org/10.24978/mod.v2i3.1304
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1304
Igor Moraes Simões
67-83
There is no neutrality : Film montage and exhibition for writings of art histories
https://doi.org/10.24978/mod.v2i3.1051
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1051

Art, Image, Politics: Curatorship, Circuits and Institutions

Ana Albani de Carvalho, Marco Pasqualini de Andrade
85-90
Presentation: Art, Image, Politics: Curatorship, Circuits and Institutions
https://doi.org/10.24978/mod.v2i3.2677
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2677
Peter Osborne
91-100
Illusions of Totality. Global Contemporaneity and the Condition of the Museum: Global Contemporaneity and the Condition of the Museum
https://doi.org/10.24978/mod.v2i3.1862
PDF
DOI: https://doi.org/10.24978/mod.v2i3.1862
Bruna Wulff Fetter
102-119
On contemporary reconfigurations of art system(s)
https://doi.org/10.24978/mod.v2i3.1077
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1077
Raúl Niño Bernal
121-136
Ecopolitics, non-linearity and posthumanism
https://doi.org/10.24978/mod.v2i3.2371
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i3.2371
Virginia Gil Araujo
138-154
The political anthropology of image in the 17th Photography Biennial of Mexico City
https://doi.org/10.24978/mod.v2i3.2372
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2372
Arthur Valle
156-177
“Lula-President” and “Temer-Dracula”: Defamatory images in the context of the Brazilian Political Crisis
https://doi.org/10.24978/mod.v2i3.1092
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1092
Mirtes Marins de Oliveira
179-188
“How to live together”: 27a Bienal de São Paulo and the debate national versus international
https://doi.org/10.24978/mod.v2i3.1863
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1863
Silvia Dolinko
191-206
From La Protesta to Malba, circuits of intervention for Juan Antonio Ballester Peña´s woodcuts
https://doi.org/10.24978/mod.v2i3.2373
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i3.2373
Edson Luiz André de Sousa
208-219
The unmeasured in the measure of Natalia Leite
https://doi.org/10.24978/mod.v2i3.2025
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2025
Taisa Palhares
221-232
Organizing pessimism: The exhibition Levantes by Georges Didi-Huberman
https://doi.org/10.24978/mod.v2i3.1865
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1865

Montage: the context of exhibitions

Fernanda Grigolin
234-246
Arquivo 17: An experiment of feminist temporality under a situated gaze
https://doi.org/10.24978/mod.v2i3.2456
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.2456

Exhibitions / Review

Anna Paula da Silva
247-258
The resistances look of at the exhibition Agora somos todxs negrxs?
https://doi.org/10.24978/mod.v2i3.1139
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1139

Entrevista

Bianca Andrade Tinoco
261-272
The vertigo of the will of a voracious collector: An interview with Sérgio Carvalho
https://doi.org/10.24978/mod.v2i3.1868
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i3.1868