Vol. 6 No. 2 (2022)

Editorial

1-19

Every institution is a political event

https://doi.org/10.20396/modos.v6i2.8669372

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DOI: https://doi.org/10.20396/modos.v6i2.8669372

Articles - Collaborations

Yasmin Fabris, Ronaldo de Oliveira Corrêa

20-57

The same exhibition, different conceptual drives: reflections on the reenactment of the A Mão do Povo Brasileiro

https://doi.org/10.20396/modos.v6i2.8668469

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DOI: https://doi.org/10.20396/modos.v6i2.8668469

Amir Brito Cador

59-90

The difficult art of naming oxen: the attribution of titles to artworks

https://doi.org/10.20396/modos.v6i2.8667337

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DOI: https://doi.org/10.20396/modos.v6i2.8667337

Carlos Henrique dos Santos Fernandes

92-133

The artisanal knowledge of Gilda de Mello e Souza

https://doi.org/10.20396/modos.v6i2.8668480

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DOI: https://doi.org/10.20396/modos.v6i2.8668480

Dossier - New, old, other institutionalities

Bruna Wulff Fetter, Mônica Hoff Gonçalves

135-145

Modes of reinventing, thinking and making institutions: imagining politically is imagining collectively

https://doi.org/10.20396/modos.v6i2.8669169

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DOI: https://doi.org/10.20396/modos.v6i2.8669169

Guilherme Marcondes

147-177

Imploding coloniality: the scientific production of black artists in/of contemporary brazilian art

https://doi.org/10.20396/modos.v6i2.8668411

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DOI: https://doi.org/10.20396/modos.v6i2.8668411

Maria Amélia Bulhões

179-200

Art museums, from colonial practices to the challenges of the digital turn

https://doi.org/10.20396/modos.v6i2.8668410

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DOI: https://doi.org/10.20396/modos.v6i2.8668410

Bruno Moreschi, Amanda Jurno, Giselle Beiguelman

202-267

Historical continuum and normatization in art collections and datasets: experiments with artificial intelligence at paulista museum

https://doi.org/10.20396/modos.v6i2.8667715

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DOI: https://doi.org/10.20396/modos.v6i2.8667715

Nei Vargas Rosa

269-300

Strategies for thinking about contemporary art collecting in Brazil

https://doi.org/10.20396/modos.v6i2.8668462

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DOI: https://doi.org/10.20396/modos.v6i2.8668462

Pedro Caetano Eboli Nogueira

302-325

From From institutional critique to critical institutionality: an analysis of the exhibition O Abrigo e o Terreno [The Sheltered and the Terrain]

https://doi.org/10.20396/modos.v6i2.8667244

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DOI: https://doi.org/10.20396/modos.v6i2.8667244

Jorge Alberto Silva Bucksdricker

327-348

No gallery is an artist: periodicals, critics and self-institutions on Brazil in the 1970s-1980s

https://doi.org/10.20396/modos.v6i2.8668463

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DOI: https://doi.org/10.20396/modos.v6i2.8668463

Felipe Paranaguá Braga

350-378

MAM Rio on fire: reconstructions on new bases

https://doi.org/10.20396/modos.v6i2.8667423

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DOI: https://doi.org/10.20396/modos.v6i2.8667423

Camila Bôrtolo Romano

380-403

The mail art at the XVI São Paulo biennial: 40 years after

https://doi.org/10.20396/modos.v6i2.8667246

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DOI: https://doi.org/10.20396/modos.v6i2.8667246

Luciana Borre

405-479

Textile Narratives: Which Regimes of True Are We Creating?

https://doi.org/10.20396/modos.v6i2.8667448

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DOI: https://doi.org/10.20396/modos.v6i2.8667448

Luiz Guilherme Vergara

481-515

Utopian pragmatism: textile labor/coincidentia oppositorum

https://doi.org/10.20396/modos.v6i2.8668503

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DOI: https://doi.org/10.20396/modos.v6i2.8668503

Cristina Thorstenberg Ribas

517-550

Speculative diagrams from institutional analysis, 'group desires' in Brazil in crisis

https://doi.org/10.20396/modos.v6i2.8668501

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DOI: https://doi.org/10.20396/modos.v6i2.8668501

Bruna Wulff Fetter, Mônica Hoff Gonçalves

552-570

Infinite imagination: the administration of the absurd, the disturbing agents and the institutional hypocrisy. Interview with Luis Camnitzer

https://doi.org/10.20396/modos.v6i2.8669283

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DOI: https://doi.org/10.20396/modos.v6i2.8669283

Exhibitions / Review

Henrique Grimaldi Figueredo

572-593

Performance time, time of performance: impressions on natures mortes, Carte Blanche à Anne Imhof

https://doi.org/10.20396/modos.v6i2.8667493

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DOI: https://doi.org/10.20396/modos.v6i2.8667493

Montage: the context of exhibitions

Viviane Gueller

595-620

The image-experience in the intersection of art and everyday life spheres

https://doi.org/10.20396/modos.v6i2.8667376

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DOI: https://doi.org/10.20396/modos.v6i2.8667376

Lúcia Fonseca

621-649

Modes of inhbiting: a praxis of drawing in contemporary art

https://doi.org/10.20396/modos.v6i2.8669361

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DOI: https://doi.org/10.20396/modos.v6i2.8669361