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Vol. 6 No. 2 (2017): Epistemologias: transversalidades nas artes da cena

Vol. 6 No. 2 (2017)

Published December 12, 2017
Epistemologias: transversalidades nas artes da cena

Editorial

Elisa Belém, Mariana Baruco Andraus
1-4
Epistemologies: transversality in performing arts (Editorial)
https://doi.org/10.20396/conce.v6i2.8651171
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8651171

Opening Text

Fernando Antonio Mencarelli
5-9
Epistemologies: transversalities in the arts of the scene (Opening Text)
https://doi.org/10.20396/conce.v6i2.8651172
PORTUGUÊS (Português (Brasil))
DOI: https://doi.org/10.20396/conce.v6i2.8651172

Thematic Articles

Christine Greiner
10-21
Looking for a methodology to analyze alterity in art
https://doi.org/10.20396/conce.v6i2.8648519
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648519
Andréa Bentes Flores
22-43
Movements of an Amazonian performer-researcher amidst Amerindian laughter
https://doi.org/10.20396/conce.v6i2.8648552
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648552
Daniel Reis Pla
44-53
Contemplative practices and performing arts learning in higher education
https://doi.org/10.20396/conce.v6i2.8648587
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648587
Bya Braga, Patrícia Miranda Pinheiro
54-72
Performative Poetic Actions in Chão de Tupinambá
https://doi.org/10.20396/conce.v6i2.8648616
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648616
Christine Douxami
73-108
La différence, quelle différence ? Le Même et l’Autre à la lumière des arts de la scène en Afrique
https://doi.org/10.20396/conce.v6i2.8648613
PORTUGUÊS (Português (Brasil)) FRANÇAIS
DOI: https://doi.org/10.20396/conce.v6i2.8648613
Cássio Eduardo Viana Hissa, Mônica Medeiros Ribeiro
90-109
Sensed knowledge
https://doi.org/10.20396/conce.v6i2.8648656
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648656
Carla Andrea Lima
110-134
A body in Litura
https://doi.org/10.20396/conce.v6i2.8648666
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648666

Articles - Free Themes

Viviane Rosa Juguero
135-161
Ecos de Cor e Cór: report of a transverse scenic experience
https://doi.org/10.20396/conce.v6i2.8648543
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648543
Luciane Silva, Inaicyra Falcão dos Santos
162-173
Coloniality in dance and the africanized forms of self-inscription: South- South perspectives throught Germaine Acogny´s technique
https://doi.org/10.20396/conce.v6i2.8648597
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648597
Altemar Gomes Monteiro
174-192
Para fundir arte e vida, o teatro de rua contemporâneo
https://doi.org/10.20396/conce.v6i2.8648615
PORTUGUÊS (Português (Brasil)) ENGLISH (Português (Brasil))
DOI: https://doi.org/10.20396/conce.v6i2.8648615
Carlos Eduardo da Silva
193-212
Ói Nóis and Companhia do Latão: the courage to live with the mother-in-law, or memory, coexistence, and resistance in the experience of Brazilian theater groups
https://doi.org/10.20396/conce.v6i2.8648444
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648444
Luciane de Campos Olendzki
213-228
Rethinking and rewriting yourself: the possibilities of scripting research on scenic arts in academy
https://doi.org/10.20396/conce.v6i2.8648527
PORTUGUÊS (Português (Brasil)) ENGLISH
DOI: https://doi.org/10.20396/conce.v6i2.8648527