Vol. 8 No. 2 (2019): Ética: práticas de transformação e artes performativas

Editorial

Vida Midgelow

1-6

Ethics and performance

https://doi.org/10.20396/conce.v8i2.8657885

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DOI: https://doi.org/10.20396/conce.v8i2.8657885

Opening Text

Silvia Maria Geraldi, Larissa de Oliveira Neves Catalão , Ana Maria Rodriguez Costa, Eduardo Okamoto

7-8

Ethics, practice of transformation of performing arts

https://doi.org/10.20396/conce.v8i2.8657887

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DOI: https://doi.org/10.20396/conce.v8i2.8657887

Thematic Articles

Jamieson Dryburgh

9-31

Location of possibilities: exploring dance technique pedagogy through transformation and care

https://doi.org/10.20396/conce.v8i2.8657870

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DOI: https://doi.org/10.20396/conce.v8i2.8657870

Juliana Carvalho Franco da Silveira

32-49

Dance training: sources of knowledge and power relations

https://doi.org/10.20396/conce.v8i2.8656075

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DOI: https://doi.org/10.20396/conce.v8i2.8656075

André Luiz Lopes Magela

50-74

Theater education as subjectivity production

https://doi.org/10.20396/conce.v8i2.8656489

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DOI: https://doi.org/10.20396/conce.v8i2.8656489

Pedro de Senna

75-93

Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations.

https://doi.org/10.20396/conce.v8i2.8657876

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DOI: https://doi.org/10.20396/conce.v8i2.8657876

Gisela Reis Biancalana, Camila Matzenauer dos Santos

94-109

Ethical and societal entanglements on Priscila Rezende’s art:: black-woman-performer

https://doi.org/10.20396/conce.v8i2.8656490

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DOI: https://doi.org/10.20396/conce.v8i2.8656490

Levi Mota Muniz

110-131

Contemporary performance as an ecological ethic of confrontation: dissident initiatives to rethink gender notions from the viewpoint of “Waste Archeology”

https://doi.org/10.20396/conce.v8i2.8656245

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DOI: https://doi.org/10.20396/conce.v8i2.8656245

Milene Lopes Duenha, Moacir Romanini Junior

132-147

Dig spaces, reveal contexts: what do the modes of production in art have to do with the political sphere?

https://doi.org/10.20396/conce.v8i2.8656483

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DOI: https://doi.org/10.20396/conce.v8i2.8656483

Nara Cálipo, Graziela Estela Fonseca Rodrigues

148-162

Who do you dance for?

https://doi.org/10.20396/conce.v8i2.8656488

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DOI: https://doi.org/10.20396/conce.v8i2.8656488

Sarah Black

163-182

Mother as curator: ethical encounters in art making with children

https://doi.org/10.20396/conce.v8i2.8657874

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DOI: https://doi.org/10.20396/conce.v8i2.8657874

Gabriel Coelho Mendonça, César Lignelli

183-204

Con-sentiment: the ethics on the scene and the volunteer approach to interactive numbers in an aerial circus show

https://doi.org/10.20396/conce.v8i2.8656478

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DOI: https://doi.org/10.20396/conce.v8i2.8656478

Janaína Moraes

205-218

The invitations poetics and the trans/formative performativities

https://doi.org/10.20396/conce.v8i2.8656067

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DOI: https://doi.org/10.20396/conce.v8i2.8656067

Jordana Mascarenhas de Oliveira , Alice Stefania Curi

219-244

Unnamable: scene and encounter as an affection zone

https://doi.org/10.20396/conce.v8i2.8656437

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DOI: https://doi.org/10.20396/conce.v8i2.8656437

Desirée Pessoa

245-261

Ethics and politics in the scenic potency of the Cie Dos à Deux

https://doi.org/10.20396/conce.v8i2.8656458

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DOI: https://doi.org/10.20396/conce.v8i2.8656458

Articles - Free Themes

Natacha Dias

262-275

Theater and practices of the self: a perspective by Stanislavski

https://doi.org/10.20396/conce.v8i2.8656450

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DOI: https://doi.org/10.20396/conce.v8i2.8656450

Maíra Barillo

276-297

Where fiction and photography meet: performance photography and performativities

https://doi.org/10.20396/conce.v8i2.8656452

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DOI: https://doi.org/10.20396/conce.v8i2.8656452

Interviews

Giorgio Zimann Gislon

298-309

Non-actors and the systems: interview with Stefan Kaegi

https://doi.org/10.20396/conce.v8i2.8656402

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DOI: https://doi.org/10.20396/conce.v8i2.8656402