Vol. 4 No. 3 (2020)

Vol. 4 No. 3 (2020)

Published September 1, 2020

Editorial

05-14
Resurgences and survivals of Warburg’s ideas
https://doi.org/10.24978/mod.v4i3.4672
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4672

Articles - Collaborations

Stefanie Gil Franco
15-30
Jaime Fernandes Simões and the art brut narrative constructions in Portugal
https://doi.org/10.24978/mod.v4i3.4588
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4588
Agustin Ricardo Diez Fischer
32-51
Echoes of the South Atlantic on British soil: The monument of San Martin in London and the exhibition “Art from Argentina: 1920-1994”
https://doi.org/10.24978/mod.v4i3.4618
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v4i3.4618
Fernanda Carvalho de Albuquerque
53-67
What can contemporary art do in a museum: A reflection on contemplação suspensa, by Rubens Mano
https://doi.org/10.24978/mod.v4i3.4651
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4651

Dossiê: O retorno a Aby Warburg no discurso historiográfico artístico

Vera Pugliese, Roberto Casazza
70-77
Presentation. : The return to Aby Warburg in the current discourse of Art History
https://doi.org/10.24978/mod.v4i3.4669
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4669
Georges Didi-Huberman
81-98
Reinvent the spring, or the affiliations of the revolt
https://doi.org/10.24978/mod.v4i3.4653
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4653
Cássio da Silva Fernandes
100-119
Warburg and Burckhardt
https://doi.org/10.24978/mod.v4i3.4611
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4611
Hernán Ulm
121-131
Aby Warburg and the Ritual of Images
https://doi.org/10.24978/mod.v4i3.4666
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v4i3.4666
Juan Pablo Bubello
133-144
Historiographical updates, networks of scholars: From the History of Magic of Warburg / Yates to History of Western Esotericism of Faivre/Hanegraaff
https://doi.org/10.24978/mod.v4i3.4595
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v4i3.4595
Luana Maribele Wedekin, Sandra Makowiecky
146-175
Panel 25 of Atlas Mnemosyne and Agostino di Duccio: : Apollonian and Dionysian at San Bernardino’s Oratory at Perugia
https://doi.org/10.24978/mod.v4i3.4569
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4569
Philippe Despoix, Jillian Tomm
177-191
Transmission and dialogue as Nachleben: Raymond Klibansky: A Philosopher in The Warburg Library Network
https://doi.org/10.24978/mod.v4i3.4665
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v4i3.4665
Stéphane Huchet
193-208
French Suite. Georges Didi-Huberman, an experiment in History of art
https://doi.org/10.24978/mod.v4i3.4605
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4605
Mateus Carvalho Nunes
210-223
Warburg, Agamben, Deleuze: The image and the philosophy of difference
https://doi.org/10.24978/mod.v4i3.4568
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4568
Daniela Queiroz Campos
225-245
The Nymph as a theoretical character of Aby Warburg
https://doi.org/10.24978/mod.v4i3.4567
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4567
Alejandro Gangui
247-263
On tauroctonies and stars: Mithras and the life of an image
https://doi.org/10.24978/mod.v4i3.4563
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v4i3.4563
Maria Manuela Restivo
265-283
In praise of impurities in the historiography of art: Ernesto de Sousa and the study of Portuguese sculpture
https://doi.org/10.24978/mod.v4i3.4619
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4619
Luís Edegar Costa
285-299
Le déjeuner sur l'herbe and the science of culture dedicated to the history of art, by Aby Warburg
https://doi.org/10.24978/mod.v4i3.4670
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4670
Uwe Fleckner
301-317
Manet, Manebit! Aby Warburg’s “Manet and Italian Antiquity” as psycho-intellectual self-portrait
https://doi.org/10.24978/mod.v4i3.4737
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4737
Silvina Paula Vidal
319-339
Artistic Personifications and Historiographical Practice: The Case of Johannes Sambucus (1531-1584)
https://doi.org/10.24978/mod.v4i3.4749
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4749
Philippe-Alain Michaud
341-357
Mnemosyne, or the cinematography without apparatus
https://doi.org/10.24978/mod.v4i3.4719
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4719
Vera Pugliese
359-384
On the stamp of Aby Warburg: Frontiers, transits and returns
https://doi.org/10.24978/mod.v4i3.4738
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v4i3.4738
Sigrid Weigel
386-404
The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey
https://doi.org/10.24978/mod.v4i3.4794
PDF
DOI: https://doi.org/10.24978/mod.v4i3.4794