Vol. 2 No. 2 (2018)

Vol. 2 No. 2 (2018)

Published May 16, 2018

Editorial

01-08
MODOS. Revista de História da Arte
https://doi.org/10.24978/mod.v2i2.1340
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1340

Articles - Collaborations

Kate Kangaslahti
09-31
The (French) origins and development of international independent Art at the Musée du Jeu de Paume in 1937
https://doi.org/10.24978/mod.v2i2.1067
PDF
DOI: https://doi.org/10.24978/mod.v2i2.1067
Elena Rosauro
33-52
Political ecologies: Extractivism, soyization and deforestation in 21st century’s visual culture
https://doi.org/10.24978/mod.v2i2.1091
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i2.1091
Luciana Benetti Marques Valio
54-71
A wider city project: The memory of Lina Bo Bardi by Renata Lucas
https://doi.org/10.24978/mod.v2i2.902
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.902
Débora Aita Gasparetto
73-90
Ways to connect in unstable networks
https://doi.org/10.24978/mod.v2i2.915
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.915
Daiana Schvartz
92-109
Lost Works: Archive traces
https://doi.org/10.24978/mod.v2i2.1140
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1140
Jorge Batista
111-123
Contributions to the course and evolution of engraving in Portugal between the 16th and 17th centuries
https://doi.org/10.24978/mod.v2i2.1045
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1045
José-Tomás Velasco Sánchez
125-135
Modesto Falcón Ozcoidi (1828-1902), the first curator of the Museum of Salamanca: His management, from 1863 to 1876
https://doi.org/10.24978/mod.v2i2.1086
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i2.1086

Dossiê - Objetos inquietos

Marize Malta, Maria João Neto
137-141
Presentation: Unquiet objects
https://doi.org/10.24978/mod.v2i2.1339
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1339
Johannis Tsoumas
143-158
Portuguese ambitions vs Japanese tradition: The transformation of the western civilization artifacts into the multifaceted Nanban objects (1543-1615)
https://doi.org/10.24978/mod.v2i2.1061
PDF
DOI: https://doi.org/10.24978/mod.v2i2.1061
Helder Carita
160-176
From Goa to Lisbon: The adventures of a Goan artist from the early 19th century, José Maria Gonsalves (1800-1845)
https://doi.org/10.24978/mod.v2i2.1157
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1157
Monica Palmeri
178-191
Mutilation of political power: Spolia exhibiting as symbolic strategy
https://doi.org/10.24978/mod.v2i2.1054
PDF
DOI: https://doi.org/10.24978/mod.v2i2.1054
Flavia Galli Tatsch
193-212
Objects and their visual narratives: Some considerations on the myth of Pyramus and Tisbe in Late Medieval caskets
https://doi.org/10.24978/mod.v2i2.1028
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1028
Biagio D’Angelo
214-223
Written still life: For an aesthethics of the object in Marcel Proust’s À la recherche du temps perdu
https://doi.org/10.24978/mod.v2i2.1159
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1159
Ana María Fernández García
225-236
The restless objects in the Spanish home during the Franco Era through interior design and decoration magazines
https://doi.org/10.24978/mod.v2i2.1156
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i2.1156
Patricia Delayti Telles
238-250
The miniature portrait of a cat called Kitten: Or modernity doesn’t purr
https://doi.org/10.24978/mod.v2i2.1162
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1162
Maria Cristina Volpi
252-269
Zoological Compositions : Transatlantic wanderings of objects made with birds, feathers and insects until the nineteenth century
https://doi.org/10.24978/mod.v2i2.1163
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1163
Vera Mariz
271-291
José dos Santos Libório (1850-1923), a notable liaison between the Portuguese and Brazilian art markets
https://doi.org/10.24978/mod.v2i2.1072
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1072
Milena Gallipoli
293-309
The Victories: From Samothrace to Buenos Aires. Plaster casts in the Museo Nacional de Bellas Artes and the Escuela Superior de Bellas Artes in the first half of the twentieth century
https://doi.org/10.24978/mod.v2i2.1059
PDF (Español (España))
DOI: https://doi.org/10.24978/mod.v2i2.1059
Diego Souza de Paiva
311-327
The wandering art piece is journey and road: A trajectory of a copy of Michelangelo's David and other possible art histories
https://doi.org/10.24978/mod.v2i2.1066
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1066

Montage: the context of exhibitions

Livia Flores
330-344
“Sitting beside him I smiled”: The works and the days with Clovis
https://doi.org/10.24978/mod.v2i2.1070
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1070

Exhibitions / Review

Vanessa Seves Deister de Sousa
346-357
Among the body, the architeture and the fabling: Invisible conectives and imaginary cartographies from Tunga's – Psicoactive Galery in Inhotim
https://doi.org/10.24978/mod.v2i2.1064
PDF (Português (Brasil))
DOI: https://doi.org/10.24978/mod.v2i2.1064