Vol. 7 No. 2 (2023)

Editorial

1-22

Resistance wefts, lines of affection and female subversions

https://doi.org/10.20396/modos.v7i2.8673715

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v7i2.8673715

Articles - Collaborations

Juliana Caffé, Juliana Gontijo

23-47

Expose the sacred: the case of the Tupinambá Cape at the Kwá Yepé Turusú Yuriri Assojaba Tupinambá exhibition

https://doi.org/10.20396/modos.v7i2.8670562

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DOI: https://doi.org/10.20396/modos.v7i2.8670562

Isabela Marques Fuchs

49-79

Unexpected turns: Griselda Pollock and feminist temporality in art historiography

https://doi.org/10.20396/modos.v7i2.8671353

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DOI: https://doi.org/10.20396/modos.v7i2.8671353

Dossiê - Feminismos em campos expandidos

Ana Paula Cavalcanti Simioni, Patricia Mayayo

81-92

Feminisms in expanded fields: 50 years after “why have there been no great women artists” what are the impacts of feminism beyond the hegemonic centers?

https://doi.org/10.20396/modos.v7i2.8673527

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DOI: https://doi.org/10.20396/modos.v7i2.8673527

Agata Jakubowska

94-119

Feminist art and art history in state socialist Poland, as seen through all-women exhibitions

https://doi.org/10.20396/modos.v7i2.8672671

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DOI: https://doi.org/10.20396/modos.v7i2.8672671

Maite Garbayo-Maeztu

121-161

Touching the past: touching the past

https://doi.org/10.20396/modos.v7i2.8672097

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DOI: https://doi.org/10.20396/modos.v7i2.8672097

Talita Trizoli

163-210

Feminist fever: women exhibitions and ethical paradoxes

https://doi.org/10.20396/modos.v7i2.8672099

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DOI: https://doi.org/10.20396/modos.v7i2.8672099

Paula Guerra

212-249

No one teaches you how to live. Ana da Silva, The Raincoats and the urgency of (re)existing

https://doi.org/10.20396/modos.v7i2.8671508

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DOI: https://doi.org/10.20396/modos.v7i2.8671508

Gloria Cortés Aliaga

251-269

The problem has a name: Woman: Feminist museological practices at the National Museum of Fine Arts (Chile)

https://doi.org/10.20396/modos.v7i2.8672674

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DOI: https://doi.org/10.20396/modos.v7i2.8672674

Luiza Possamai Kons

271-299

Being a mother and prisoner: analysis of two photographs by Adriana Lestido

https://doi.org/10.20396/modos.v7i2.8671217

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DOI: https://doi.org/10.20396/modos.v7i2.8671217

Shuqin Cui

301-334

Female and feminism: a historical overview of women and art in China

https://doi.org/10.20396/modos.v7i2.8672939

PDF

DOI: https://doi.org/10.20396/modos.v7i2.8672939

Marina Soler Jorge

336-403

Impacts of feminism on Mainland Chinese cinema: gender, class and women’s representations

https://doi.org/10.20396/modos.v7i2.8671365

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DOI: https://doi.org/10.20396/modos.v7i2.8671365

Janaina Silva Xavier

405-430

Black female artists in contemporary Latin America: interlocution between art and history

https://doi.org/10.20396/modos.v7i2.8671331

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DOI: https://doi.org/10.20396/modos.v7i2.8671331

Maria Antonietta Trasforini

432-466

At a different pace. Art and feminism in Italy since the seventies

https://doi.org/10.20396/modos.v7i2.8672672

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DOI: https://doi.org/10.20396/modos.v7i2.8672672

Michelle Farias Sommer

468-489

Lygia pape, professor: pedagogical practices as artistic practices

https://doi.org/10.20396/modos.v7i2.8671367

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DOI: https://doi.org/10.20396/modos.v7i2.8671367

Javier Socías Baeza

491-524

The first generation of tunisian women filmmakers and their fiction feature films as a feminist counter-discourse (1976-2017)

https://doi.org/10.20396/modos.v7i2.8671243

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DOI: https://doi.org/10.20396/modos.v7i2.8671243

Rafael do Valle

526-561

History is not a witch: Gilda de Mello e Souza and the dignity of the feminine in the arts

https://doi.org/10.20396/modos.v7i2.8671317

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DOI: https://doi.org/10.20396/modos.v7i2.8671317

Débora Machado Visini

463-491

Poner el cuerpo: connecting Argentina and Chile through collective and feminist interventions in the public space

https://doi.org/10.20396/modos.v7i2.8671362

PDF (Português (Brasil))

DOI: https://doi.org/10.20396/modos.v7i2.8671362

Giulia Lamoni

493-517

“To both ends of the chain”: some reflections on the relationship between the visual arts and feminism in Portugal in the 1970s

https://doi.org/10.20396/modos.v7i2.8672673

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DOI: https://doi.org/10.20396/modos.v7i2.8672673