Vol. 4 No. 2 (2020)

Editorial

01-09

MODOS. Revista de História da Arte

https://doi.org/10.24978/mod.v4i2.4580

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DOI: https://doi.org/10.24978/mod.v4i2.4580

Articles - Collaborations

Fabricia Cabral de Lira Jordao

10-25

The ABC Project and the institutionalization of contemporary art at INAP during Brazilian redemocratization

https://doi.org/10.24978/mod.v4i2.4546

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DOI: https://doi.org/10.24978/mod.v4i2.4546

Cayo Honorato

27-37

Rise and fall of pedagogical curatorship

https://doi.org/10.24978/mod.v4i2.4328

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DOI: https://doi.org/10.24978/mod.v4i2.4328

Giulia Murace

39-53

Art, politics and diplomacy: Two projects of South-American academies in Rome (1897-1911)

https://doi.org/10.24978/mod.v4i2.4581

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DOI: https://doi.org/10.24978/mod.v4i2.4581

Marina Cerchiaro

55-72

The firsts São Paulo’s Biennials awards (1951-1965): A quantitative and geographical approach

https://doi.org/10.24978/mod.v4i2.4583

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DOI: https://doi.org/10.24978/mod.v4i2.4583

Marcelo Mari

74-89

Recreations for sale? Sophie Taeuber-Arp and the case of the third Bienal de São Paulo

https://doi.org/10.24978/mod.v4i2.4532

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DOI: https://doi.org/10.24978/mod.v4i2.4532

Rossella Froissart - Université Aix-Marseille

91-116

La tapisserie, art mural: muralnomad avant Le Corbusier

https://doi.org/10.24978/mod.v4i2.4582

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DOI: https://doi.org/10.24978/mod.v4i2.4582

Dossiê - A arte antiga no tempo presente

Luiz Alberto Ribeiro Freire, Mateus Rosada

118-121

Presentation: Ancient art in present times

https://doi.org/10.24978/mod.v4i2.4584

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DOI: https://doi.org/10.24978/mod.v4i2.4584

Cláudia Philippi Scharf

123-142

Libri Principis and Illustrations of Fauna and Flora of Dutch Brazil

https://doi.org/10.24978/mod.v4i2.4554

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DOI: https://doi.org/10.24978/mod.v4i2.4554

Alexandre Ragazzi

144-161

Eyes open, eyes closed: Past and present in the iconography of the crucified Christ

https://doi.org/10.24978/mod.v4i2.4324

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DOI: https://doi.org/10.24978/mod.v4i2.4324

Raquel Quinet Pifano

163-179

Aleijadinho by Murilo Mendes

https://doi.org/10.24978/mod.v4i2.4570

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DOI: https://doi.org/10.24978/mod.v4i2.4570

Myriam Salomão

181-194

Classical Tradition and Art Historiography in the book Padre Jesuíno do Monte Carmelo by Mário de Andrade

https://doi.org/10.24978/mod.v4i2.4586

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DOI: https://doi.org/10.24978/mod.v4i2.4586

Thiago Gil de Oliveira Virava

196-206

“But what does that have to do with us”? : Anthropophagic routes in the column “Thursdays street market”

https://doi.org/10.24978/mod.v4i2.4556

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DOI: https://doi.org/10.24978/mod.v4i2.4556

Artur de Vargas Giorgi

208-230

Abstracts and realists: Latin America and the foundational void

https://doi.org/10.24978/mod.v4i2.4371

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DOI: https://doi.org/10.24978/mod.v4i2.4371

Daniella Amaral Tavares

232-248

The quiet Minotaur: Rubens and the dialogue with antiquity and other traditions

https://doi.org/10.24978/mod.v4i2.4571

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DOI: https://doi.org/10.24978/mod.v4i2.4571

Marilia Solfa, Vanessa Rosa Machado

250-270

Atlântica Moderna: nature made of crochet and glass: Artistic production and craftsmanship knowledge in Ana Maria Tavares and Lina Bo Bardi’s work

https://doi.org/10.24978/mod.v4i2.4585

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DOI: https://doi.org/10.24978/mod.v4i2.4585

Dilson Rodrigues Midlej

272-287

Anticlassicism of present-day image appropriation

https://doi.org/10.24978/mod.v4i2.4550

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DOI: https://doi.org/10.24978/mod.v4i2.4550

Exhibitions / Review

Ana Mattos Porto Pato, Mabe Bethônico

290-299

Asking is knowledge: Meta-Archive 1964-1985

https://doi.org/10.24978/mod.v4i2.4587

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DOI: https://doi.org/10.24978/mod.v4i2.4587

Ana Claudia França , Ronaldo Corrêa

301-315

Sonia Andrade and Letícia Parente, two Brazilian video artists in a 1970s feminist avant-garde art exhibition

https://doi.org/10.24978/mod.v4i2.4553

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DOI: https://doi.org/10.24978/mod.v4i2.4553