Vol. 3 No. 3 (2019)

Editorial

01-08

MODOS. Revista de História da Arte

https://doi.org/10.24978/mod.v3i3.4310

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DOI: https://doi.org/10.24978/mod.v3i3.4310

Articles - Collaborations

Moema de Bacelar Alves

09-22

Among passages: variations in artists’ transit in the nineteenth and early twentieth centuries

https://doi.org/10.24978/mod.v3i3.4299

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DOI: https://doi.org/10.24978/mod.v3i3.4299

Nicole Palucci Marziale

24-43

Experimental Art Institutions in Europe in the nineties and two thousands: contextualization, Conflicts and inspiration

https://doi.org/10.24978/mod.v3i3.3879

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DOI: https://doi.org/10.24978/mod.v3i3.3879

Caroline Saut Schroeder

45-59

The visual arts under surveillance: Censorship and repression in the years of dictatorship

https://doi.org/10.24978/mod.v3i3.4300

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DOI: https://doi.org/10.24978/mod.v3i3.4300

Disciplinary Cannibalisms

Bruno Brulon, Emerson Dionisio Gomes de Oliveira

61-66

Presentation. Disciplinary Canibalisms: Between Art History and Anthropology: Museums, Collections and Representations

https://doi.org/10.24978/mod.v3i3.4301

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DOI: https://doi.org/10.24978/mod.v3i3.4301

Ilana Seltzer Goldstein

68-96

From the “representation of leftovers” to “reanthropophagy”: Indigenous peoples and contemporary art in Brazil

https://doi.org/10.24978/mod.v3i3.4304

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DOI: https://doi.org/10.24978/mod.v3i3.4304

Roberto Conduru

98-114

Is this "thing" art? : Afro-Brazilian religions, material culture and criticism

https://doi.org/10.24978/mod.v3i3.4309

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DOI: https://doi.org/10.24978/mod.v3i3.4309

Solmaz Mohammadzadeh Kive

116-133

From Nature to Culture; the “other” at two New York Museums

https://doi.org/10.24978/mod.v3i3.4234

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DOI: https://doi.org/10.24978/mod.v3i3.4234

Ivair Reinaldim

135-151

Indigenous cultural production and Art History in Brazil: Exhibitions and their statements (part I - Alegria de Viver, Alegria de Criar)

https://doi.org/10.24978/mod.v3i3.4303

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DOI: https://doi.org/10.24978/mod.v3i3.4303

Patricia Reinheimer

154-172

The rustic modern: Art and Clothing in the 1960’s

https://doi.org/10.24978/mod.v3i3.4336

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DOI: https://doi.org/10.24978/mod.v3i3.4336

Mauricio Barros de Castro, Myrian Sepúlveda dos Santos

174-189

Abdias do Nascimento and the Black Art Museum

https://doi.org/10.24978/mod.v3i3.4235

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DOI: https://doi.org/10.24978/mod.v3i3.4235

Renata Montechiare

191-208

Art versus Culture: Exhibition of objects from Africa Room of Museum of World Cultures of Barcelona

https://doi.org/10.24978/mod.v3i3.4223

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DOI: https://doi.org/10.24978/mod.v3i3.4223

Tiago Guidi

210-226

Social facts as sculptures

https://doi.org/10.24978/mod.v3i3.4200

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DOI: https://doi.org/10.24978/mod.v3i3.4200

Daniela Ortega Caetano dos Santos, Priscila Faulhaber

228-241

The esthetic of wonder in the collections of Jacque, Lina and Emanoel collections of popular arte

https://doi.org/10.24978/mod.v3i3.4335

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DOI: https://doi.org/10.24978/mod.v3i3.4335

Bruno Brulon

243-264

Between one world and the Other’s: Magic and decolonization in the museum performance

https://doi.org/10.24978/mod.v3i3.4302

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DOI: https://doi.org/10.24978/mod.v3i3.4302

Exhibitions / Review

Vanessa Badagliacca

266-274

From doing to thinking and vice versa: A route in the artistic work of Sofia de Medeiros

https://doi.org/10.24978/mod.v3i3.4227

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DOI: https://doi.org/10.24978/mod.v3i3.4227

Daniel Dinato

276-284

ReAntropofagia: the territorial retaking of art

https://doi.org/10.24978/mod.v3i3.4224

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DOI: https://doi.org/10.24978/mod.v3i3.4224