Vol. 5 No. 3 (2021)

Vol. 5 No. 3 (2021)

Published October 15, 2021

Editorial

1-13
The global is here
https://doi.org/10.20396/modos.v5i3.8667178
PDF (Português (Brasil)) PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v5i3.8667178

Articles - Collaborations

Viviana Pozzoli
15-41
Letter from Brazil: P. M. Bardi to Valentino Bompiani
https://doi.org/10.20396/modos.v5i3.8666881
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DOI: https://doi.org/10.20396/modos.v5i3.8666881
Ana Mannarino
43-70
“Readable astonishments” : written word and visuality in the works of Waltercio Caldas
https://doi.org/10.20396/modos.v5i3.8666481
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v5i3.8666481
Vanessa Lúcia de Assis Rebesco
72-95
The banal, the domestic and the female body: the presence of absence in Doris Salcedo's La casa Viuda series
https://doi.org/10.20396/modos.v5i3.8666742
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v5i3.8666742

Dossiê - A "virada global" como um futuro disciplinar para a História da Arte

Flavia Galli Tatsch, Claire Farago
97-120
The "global turn" as a disciplinary future for art history
https://doi.org/10.20396/modos.v5i3.8667052
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DOI: https://doi.org/10.20396/modos.v5i3.8667052
Claire Farago
122-139
Thoughts on the "global turn" as a disciplinary future: escaping eurocentric approaches
https://doi.org/10.20396/modos.v5i3.8666208
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DOI: https://doi.org/10.20396/modos.v5i3.8666208
Maria Berbara
141-162
Images of cannibalism in the early modern period: the butchering-table between America, Asia and Europe
https://doi.org/10.20396/modos.v5i3.8666207
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DOI: https://doi.org/10.20396/modos.v5i3.8666207
Franziska Koch
164-195
Pressing “rewind” and “forward” to negotiate a transcultural position: global challenges of art between the 1960s and 1990s, Fluxus, and the case of Nam June Paik
https://doi.org/10.20396/modos.v5i3.8667107
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DOI: https://doi.org/10.20396/modos.v5i3.8667107
Madalena Hashimoto Cordaro, Michiko Okano
197-221
Artistic genres in discussion through Asian collection objects
https://doi.org/10.20396/modos.v5i3.8665547
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DOI: https://doi.org/10.20396/modos.v5i3.8665547
Fernanda Mendonça Pitta
223-257
The ‘short history of art’ and Indigenous art: the genesis of a notion and its problematics today
https://doi.org/10.20396/modos.v5i3.8666380
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DOI: https://doi.org/10.20396/modos.v5i3.8666380
Marco Túlio Lustosa de Alencar
259-287
Of artists and vultures: a parallel with scavenger specimens about the presence of the animal's body and the balance of the art ecosystem
https://doi.org/10.20396/modos.v5i3.8665515
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DOI: https://doi.org/10.20396/modos.v5i3.8665515
Daniel Vladimir Tapia Lira de Siqueira, Edson Leite
289-311
Ai Weiwei and the testimony of the catastrophe
https://doi.org/10.20396/modos.v5i3.8665521
PDF (Português (Brasil))
DOI: https://doi.org/10.20396/modos.v5i3.8665521
Flavia Galli Tatsch
313-372
The Vierge Ouvrante of the Joy of Mary from the Ivani and Jorge Yunes Collection: transculturality and in-between spaces
https://doi.org/10.20396/modos.v5i3.8666746
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DOI: https://doi.org/10.20396/modos.v5i3.8666746